Black Death, The Black Death

Study Shows Why Black Women Faced Greater Risk Of The Black Death

A study found that Black women of African descent faced greater risk of one of the worst pandemics in the 14th century, The Black Death.


In an archaeological study, the Museum of London examined bone and dental changes of individuals who died from one of mankind’s worst pandemics. Data found that Black women of African descent faced greater risks of the Black Death during the 14th century, BBC reports.

The devastation of the Black Death or bubonic plague is believed to have claimed half of the London population. While many studies have examined the history of plagues, the Museum of London’s Race, Population Affinity, and Mortality Risk is reportedly the “first archaeological exploration of race, gender, and social standing influencing a person’s risk of death,” according to BBC.

Obtained by BBC ahead of its publication, the research is based on 145 individuals from East Smithfield emergency plague cemetery, St Mary Graces, and St Mary Spital. Although the sample size is small, according to the research, 18.4% of people in the plague burials appeared to be of African heritage, compared to 8.3% of the nonplague burials. Utilizing a forensic tool, nine plague victims appeared to be of African heritage, while 40 seemed to have white European or Asian ancestry. 

“Medieval England was a diverse population and, like today, issues around people’s heritage [and] wealth have health outcomes,” said Dr Rebecca Redfern, a co-author of the research at the Museum of London, The Guardian reported.

Black women of African descent, on the other hand, saw a greater risk of the medieval plague. For female samples, researchers discovered that “individuals of estimated African population affinity have a significantly higher estimated hazard of dying of plague compared to those with estimated white European affinity.” The research cited that the risks are greater as a result of systemic racism that occurred in the medieval world.

“We emphasize here that variation by race in susceptibility to and hazard of dying from disease reflects the biological and psychosocial effects of racism, which was present in the medieval world (Heng 2018a); race is a social classification and is not based in biological reality, but it does have biological consequences,” the study added.

WHAT WAS THE BLACK DEATH?

During the 14th century, the then-Great Pestilence, later called the Black Death, killed more than 25 million people, or at least one-third of Europe’s population. The plague transmission was generally from infected fleas carried by rodents or through ingesting contaminated animals, physical contact with infected victims, or direct inhalation of infectious respiratory droplets. Its bacterial agent (Yersinia pestis) caused symptoms such as fever, fatigue, vomiting, and large swellings. 

Having swept across London from 1348 to 1350, the plague ravaged a city bustling with immigrants from all corners of the world to seek better opportunities. A total of 65,000 immigrants resided in England during that time.

BLACK WOMEN AT HIGHER RISK

Though the population of Black women in London was not included, the study delved further. Wealthier migrants often had servants who were free or enslaved people originating from Sub-Saharan and northern Africa or Eastern Europe, BBC reported.

 “We have no primary written sources from people of color and those of Black African descent during the great pestilence of the 14th century, so archaeological research is essential to understanding more about their lives and experiences,” Redfern explained, according to the news outlet.

“As with the recent COVID-19 pandemic, social and economic environment played a significant role in people’s health, and this is most likely why we find more people of color and those of black African descent in plague burials.”

Furthermore, the research invoked direct comparisons to the coronavirus, where early in the modern pandemic, Black people had a higher risk of infection and were four times more likely to die than white people.

At the height of the pandemic, Guardian research confirmed that high ethnic minority populations in England and Wales tended to have higher mortality rates in the pandemic.

In 2020, Zubaida Haque, the deputy director of the Runnymede Trust, a race equality think tank, cautioned about the consequences of racial discrimination and racial inequalities. 

“We cannot ignore how important racial discrimination and racial inequalities, for example, in housing, are, even among poorer socio-economic groups,” she previously told The Guardian. “These factors are important but are not taken into account in most statistical modeling of Covid-19 risk factors.”

Lenny Kravitz, Ray-Ban, partnership, capsule, collection, glasses, shades

Lenny Kravitz Clears The Air On Black Music Awards Exclusion Comments


Rock and roll icon Lenny Kravitz is clearing the air surrounding comments he made about what he feels has been an exclusion from Black music award shows. The 59-year-old took to Twitter to clarify that his critique was not directed towards the “Black community.”

“It is important to me to set the record straight on recent media reports based on an interview I did,” he wrote. “My black musical heritage means a lot to me, and I owe my success to my supporters who have taken this journey with me over the span of my career. The comment I made was not about ‘black media’ or the ‘black community.’ I was specifically referring to black award shows in particular.”

Kravitz, who has been in the public eye for the past three decades, has never been honored by BET or any other celebrations of Black entertainment; however, he clarified that his comments were not to shame the work the network had done to provide a home to himself and others. “BET and countless others have paved the way for this type of recognition,” Kravitz wrote. “I hope that by sharing my concern a spotlight will be shone on this issue.”

Though the rocker and longtime sex symbol made it clear that he was not critiquing Black media’s recognition or acceptance of himself; he did however, acknowledge that artists outside of “traditional” Black music genres are often viewed as breaks from the norm rather than a continuation of history.

“My comment was meant to express a concern about ensuring that black artists are being recognized for their work in what is now being called ‘non-traditional’ black music, which it is not,” he said. “Rock and roll is the music we were instrumental in creating and is a part of our history. We must retain our heritage and celebrate that together.”

RELATED CONTENT: Lenny Kravitz Shares How His Daughter Zoë Kravitz Reminds Him of His Late Mother Roxie Roker

Olympic Medalist Allyson Felix Gives Another Reality Check On The Dangers Of Black Women Giving Birth In America

Olympic Medalist Allyson Felix Gives Another Reality Check On The Dangers Of Black Women Giving Birth In America


An Olympic Gold medalist continues to be candid about Black maternal health in America.

Allyson Felix spoke with NBC Meet The Press’ Kristen Welker about her experiences as a pregnant athlete and some of the dangers surrounding being Black and pregnant. The retired Olympian went back to a time when she had to have an emergency c-section to give birth to her son in November 2018 after being diagnosed with preeclampsia, a life-threatening pregnancy condition.

During that time, Felix’s feet were swelling, and she had no idea that was a sign of the symptom. She says she wished her doctors would have told her. “As a woman of color–that I’m already at a greater risk for these complications.”

“What are the signs? What can I do to help this not happen? And also, I should be taking my blood pressure at a certain point. So just being educated and being aware is huge.”

A 2021 report from the CDC found that Black women’s mortality rate is almost three times higher than that of white women. Over 80% of deaths related to pregnancy were preventable, according to data from 2017 through 2019. According to March of Dimes, preeclampsia can happen after week 20 of pregnancy or right after giving birth. On top of having high blood pressure, it can cause major organs, including the liver and kidneys, not to work properly. Felix says she always felt her health care was pristine, but that’s not always good enough.

“I felt like I had great medical care, but that’s not always enough,” she said. “Because I had severe features of preeclampsia, they were in constant worry of me having a stroke, of my vision being lost.”

The athlete’s health experiences led her to advocate for Black maternal health. Four years ago, the sprinter testified at a House of Representatives Ways & Means Committee hearing to advocate for the racial disparities and social determinants on the topic. She described her pregnancy as “a really isolating and lonely time” as she had to “hide” her pregnancy from Nike, her primary sponsor, after being fearful of contractual consequences.

Felix’s advocacy was dialed up a notch when her former teammate, Tori Bowie, passed away in May 2023 from pregnancy complications, according to Newsone. Bowie was almost eight months pregnant with a developed fetus when she was found dead. Speculations started to circulate that she died from a condition called eclampsia, which can be fatal if left untreated.

Stephanie Williams, comic, comics

Stephanie Williams Discusses Her Journey In Comics

Williams's blend of wit and taste led to her creating several independent comic series, landing her on the radar of both Marvel and DC Comics


Stephanie Williams is a comic book writer/editor, freelance writer, and a must-follow on Twitter/X. Williams’s blend of wit and taste led to her creating several independent comic series, which eventually got her on the radar of both Marvel and DC Comics. Williams was also recently named to Adweek’s 2023 iteration of its Creative 100 listing for artists and other creatives. Williams’s most recent book, Strange And Unsung All-Stars of the DC Multiverse: A Visual Encyclopedia, was released on Nov. 7 and features a foreword from the CEO of DC Studios, James Gunn. Gunn also posted a glowing recommendation of the book to his 2.7 million Instagram followers. 

Gunn wrote, “Many know I have a special fondness for the wilder corners of DC comics – the forgotten or outlandish characters who I grew up laughing with or at but who in every case fired up my imagination & my love of outcasts & oddballs,” Gunn began, “Now there’s finally a book for folks like me (yes, including a forward BY me), 240 pages of guilty goodness, with Arm-Fall Off Boy, Colonel Computron, the Mod Gorilla Boss, and so, so many more.” 

Williams’s rapid ascension over the last few years has been nothing short of remarkable, and she was gracious enough to take time out of her busy schedule to answer a few questions about her connection to comic books and what excites her about the future in the comics space for Black women. 

BLACK ENTERPRISE: What do you remember being the first comic book that you were interested in?

Stephanie Williams: There are two answers to this question. So, the first comic book that caught my attention was Avengers #361, which I found at a thrift store. I remember the cover grabbing my attention because everyone was in bomber jackets. I guess I had a thing for them at the time. It wasn’t until I read it that it dawned on me that comics, or at least cape comics, had the same brand of melodrama as the soap operas my mom and grandmother watched. In that issue, Cersei, Black Knight, and Crystal have a love triangle going on while Vision (the factory reset version) wonders what love is like as he watches Black Knight and Crystal embrace from a distance. 

Williams: The first comic I was actively interested in was an Archie comic, Betty & Veronica, to be more specific. I think it was an issue that promised Archie would finally decide between them, but you know that never happened, lol. 

As you can see, I had and still have a thing for complicated romances

BE: As a Black woman comic creator now, I’m sure it wasn’t long until you found representation. Who was the character you most saw yourself in, or a few who remind you of yourself?

Williams: Monica Rambeau, hands down. She was so down to Earth even though her powers allowed her to slingshot herself around the sun. When I found a copy of Amazing Spider-Man Annual #16, her debut issue, I fell in love with her because of her origin story. I didn’t realize at the time how frustratingly relatable it would be for me when I got older, but it was just so cool to see this woman become a hero because of her heroic actions. 

BE: What was the moment when you realized that you might actually have an opportunity to write your own comics?

Williams: It was after another one of my tweet threads had gone viral. Funny enough, it wasn’t one of the X-Men or Justice League memes people know me most for; it was a thread about an experience my husband and I had at my son’s play restaurant. It finally hit me that it was a form of storytelling, and maybe if I could figure out how to script comics, I could share these parenting anecdotes in comic form. I reached out to a fantastic artist named Sarah Macklin, and boom, Parenthood Activate was born. 

BE: To pivot to Living Heroes, what made you believe in that as a project, as something that people would enjoy? 

Williams: To be honest, it was really my strong desire to want to continue working with O’Neill Jones. We click as creatives. So, my belief was purely selfish in that regard. I hoped people would enjoy what we did and the love and care put into Living Heroes would jump off the page, and I’m thankful that’s what happened. It was a super niche project centered around Black women (She-Hulk, our white woman of color), and I’m glad we were ambitious enough to make it the way we did. 

BE: When you are writing or thinking about concepts, what is something you like to do to get out of a funk if you’re stuck on something?

Williams: I usually like to revisit stories I enjoy and stories that restore my belief in wanting to tell stories in the first place. 

BE: What was it like working on Nubia: Queen of the Amazons?

Williams: It was a phenomenal experience. My editors, Brittany Holzherr and Chris Rosa, were highly supportive and encouraging. I dealt with a good amount of imposter syndrome while working on Nubia: Queen of the Amazons, and every time I got notes back for revisions or needed to talk something out, they were always available and, more importantly, made sure I knew I could hit them up when I needed to do so. 

BE: Your most recent project (Strange And Unsung All-Stars of the DC Multiverse: A Visual Encyclopedia) is probably one of the more unique books about comics I’ve seen; what pulled you in that direction?

Williams: I feel like it was a direction I had been headed in long before the opportunity came my way. Many of the pieces I wrote for SYFYFANGRRLS, DEN OF GEEK, MARVEL.COM, etc, were character deep dive pieces. Even before I was writing, the podcast I did, Misty Knight’s Uninformed Afro, were these deep dives into Black women’s supes and characters in comics. And even before that, my day job required me to research and share that information digestibly with others unfamiliar with the subject. So, when Strange and Unsung All-Stars came my way, I felt more than prepared to work on this book and make it something special. 

BE: How did the James Gunn foreword happen exactly?

Williams: All thanks go to my editor, Randall Lotowycz, for being ambitious enough to ask. 

BE: When you were working on the book, did it get to a point where you were like, “I may have over- researched this,” or was it a thing where you kind of already knew the areas you wanted to focus on?

Williams: I love researching characters, so over-researching is probably something I did inherently. The limit does not exist, lol. There wasn’t a particular character or side of the DC Multiverse I felt I was an expert on, but I will say that I went a little overboard once I got into the cosmic side. It’s just so vast and detailed. I got a little obsessed. 

BE: What was the most difficult entry to pin or pen down?  

Williams: Hands down, it was Black Racer. Jack Kirby’s cosmic characters are truly galaxy-brain moments, which made Black Racer one of the more high-concept characters I covered. I nearly broke my brain trying to distill what I learned through the comic issues I read featuring him so I could present it in a way that hopefully did the character justice. 

BE: What was something that surprised you while you were working on the book?

Williams: How progressive some of these older characters were, even though upon first glance, you’d think that would be furthest from the truth. 

BE: How has the media’s reaction to Nia DaCosta’s The Marvels affected you as a Black woman creator, if it has had any effect at all?

Williams: It’s affected my blood pressure and annoyed the hell out of me. It’s a reminder that some folks in these industries (entertainment and otherwise) will go out of their way to knock a Black woman down a peg simply because we dare not only to exist but to thrive in spaces we “aren’t” supposed to be in. 

BE: What do you think the future holds for Black women in the comic book space/medium? What is one barrier you are hoping is broken sooner rather than later? 

Williams: I firmly believe the future is bright, and there will continue to be more of us in the comic space/medium. I’m seeing more Black women at conventions, which I love so much. I’m seeing more Black women in monthly solicits, which I love so much. I’m seeing more Black women in editorial spaces, which I absolutely love. Then there are the young women/girls I meet at conventions who excitedly share their love of the medium with me and the projects they’re working on, which again assures me the bright future is bright. Our impact can’t be denied, and we’re coming for our things with confidence and determination. 

BE: Has anyone’s reception of your book taken you by surprise? Like maybe they interpreted some things differently than you did about certain characters?

Williams: I think the amount of enthusiasm and support has taken me by surprise. I know I’ve always loved character encyclopedias, and it’s been beautiful to see so many other people there who also love them just as much. 

BE: What are you looking forward to doing next? 

Williams: I can’t say much about it, but I’m finally working on my first creator-owned comic series, and I can’t wait for it to be out in the world. Outside of that, I’m looking forward to hopefully being in someone’s writers’ room for an animated TV series one day soon. 

RELATED CONTENT: New Jersey Educator Launches STEM Comic Book

Blac Chyna, Angela White, Onlyfans, evolution, Passes, Parenting, spirituality, quit, platform

Angela White Continues To Shed ‘Blac Chyna’ Persona, Right Along With OnlyFans

Blac Chyna is fully entering her Angela White era.


Blac Chyna has fully entered her Angela White era, announcing her exit from OnlyFans to join a “female empowerment” platform.

After becoming the highest-paid contributor on OnlyFans, Chyna has jumped ship for another subscription-based platform where nudity and adult content is banned. On Passes, Chyna will give her fans an inside look into her personal evolution, Variety reports.

Subscribers can see Chyna “feature a variety of topics that are important to her such as her spirituality, running her business, favorite recipes and cooking tips, fitness routines, and an intimate, behind-the-scenes look at more personal life experiences,” the company announced on Friday, Dec, 1.

The move falls in line with the new image Chyna has been showcasing on social media. The model and entrepreneur has shared her journey to dissolve her fillers and silicone butt injections. She also received an honorary doctorate from Sacramento Theological Seminary and Bible College.

Now, through the Passes app, fans will see Chyna continue her evolution to becoming a better woman by going natural and even quitting alcohol and nicotine.

“I am so grateful to join Passes, a female-owned platform that lets me show my true self to better connect with my growing community,” Blac Chyna said. “The last year has been transformative for my mental and physical health, and I look forward to sharing more of that journey on Passes. My hope is that telling my story will help people feel less alone and more supported in whatever struggles they may be going through.”

The app costs $9.99 per month for all-access content. There are also lower-priced tiers for access to “day in the life” ($6.99), workout ($3.99), and cooking ($3.99) content. Creators on the app keep 90% of their subscription revenue; Passes takes a 10% cut plus 30 cents per transaction.

Chyna has claimed to be in financial trouble thanks to her ongoing custody battle with rapper Tyga. In court documents released in October, Chyna claimed she had to sell off her clothes and shoes to make ends meet.

RELATED CONTENT: Blac Chyna Turning Her Life Around: Graduates With Doctorate From Bible College

Holiday, shopping, shoppers, website, optimize, search, seo, search engine,

Maximize Online Holidays Sales By Preparing Your Website

If you're a small business owner you better invest some time and energy in search engine optimization--otherwise you'll be lucky if anyone finds you online.


Originally Published Nov. 23, 2010

If you’re a small business owner hoping to maximize your revenue online this shopping season, you better invest some time and energy in search engine optimization. Otherwise, you’ll be lucky if anyone finds you. “The overall concept of search engine optimization is to make your page content relevant to the search terms that people are looking for,” says Chris Curtis, founder of Web Business Ownership LLC, an internet business strategy firm based in Newark, Delaware, focusing on small businesses.

With that in mind, it’s not too late to make some simple changes to your site so that you can reach the hordes of online shoppers hoping to score a deal. Here are three simple things you can do to maximize your online sales.

Watch: How to Increase Your Online Presence

Think Like a User.
Ask yourself: “If I were looking for this, what would I type in Google?” For example, if you’re selling “cars,” remember that “automotive” and “automobile” are both relevant keywords that need to also be within the content on your page. “Summon your most creative skills and work it out,” says Curtis. “The benefits in traffic will be worth the effort.”

Get Listed.
The more sites that link to your pages, the more important your page becomes. Post the link to your website in directories, community boards, forums, and blogs. Make sure that where you post your link is also relevant to your page’s topic. If your page is about “roses,” don’t post your link to a blog about “shoes,” says Curtis. “Doing so would diminish the importance of your link on that page—which means most people won’t click on it—and consequently not bring you much traffic.”

Name It!
Ever go to a page and want to bookmark it (add it to your favorites) only to find that the page doesn’t have a title? To avoid such issues on your site, you’ll want to ensure every page has a descriptive title. The more descriptive the title, the better your chance of being found in the search engine. Your title should also reflect the content on the page. If your page is about “traveling in Philadelphia,” then a title like “Where to Go in Philadelphia” or “Travel Tips for Philadelphia” would be beneficial to you.

Also read: Up the Ante on Your Web Presence

Use these online tools to help you fine-tune your approach to drawing more traffic online:

www.wordtracker.com
A resource that helps you to fine-tune your keywords and build an SEO strategy.

www.thesaurus.com
When in doubt, old-school methods still work. Use the thesaurus to find keywords and synonyms.

www.wholinkstome.com
A great way to find out who’s linking to your website.

RELATED CONTENT: Library of Congress Selects Association of African American Financial Advisors Website for Inclusion in Web Archives

Audra, McDonald, rose parade, grand marshal, Tony award, winner, tradition

Well, Ain’t That Grand?: Audra McDonald Named Grand Marshal Of 135th Rose Parade

Tony Award-winning singer/actress Audra McDonald is taking on the coveted role of grand marshal in the 135th Rose Parade.


Audra McDonald is taking on the coveted role of grand marshal in the 135th Rose Parade.

The six-time Tony Award-winning actress and singer will kick off 2024, serving as grand marshal of California’s legendary Rose Parade, KTLA reported. McDonald was announced as the grand marshal in a ceremony on Friday, Dec. 1, in Pasadena.

As a California native, the decorated singer is excited to host the 2024 festivities.

“I am so grateful and my family is so grateful to be able to kick off 2024 in my home state underneath the California sunshine surrounded by flowers, football fans and music,” McDonald said.

“Every January 1st, I would wake up early to watch the parade and the game with my family. I always found the floats with their colors and flowers so magical as a kid, and I still do.”

McDonald is the perfect grand marshal for the 2024 Rose Parade, considering its theme, “Celebrating a World of Music: The Universal Language.”

“Music is a universal language. It can lift us out of personal struggles and more importantly it helps us see the humanity in each other and ourselves,” she said.

“For me, growing up in Fresno, representation matters. When you can see someone that looks like you achieving things, it helps you to realize your dream even more fully and to see that it’s absolutely possible. Those barriers have been broken down so I can walk through.”

Dating back to 1890, the Rose Parade was initially a way Pasadena’s distinguished Valley Hunt Club would promote the city’s charm and beautiful weather. But with it falling on Jan. 1, the Tournament of Roses eventually became known as America’s New Year Celebration.

As part of her grand marshal role, McDonald will ride down Colorado Boulevard in Pasadena and take part in the coin flip for the 110th Rose Bowl game later that day, AP News reports.

“I’m actually practicing,” she said. “If anybody can mess up a coin toss, it would be me.”

RELATED CONTENT: Toni-Michelle Williams Named Grand Marshal of ATL Pride Festival

Beyoncé, renaissance, debut, film, no 1, 21, million, box office

Beyoncé’s ‘Renaissance’ Film Gives Big Box Office Energy, Debuts At No. 1

Beyoncé secured the top spot at the box office with her "Renaissance" film.


Beyoncé’s Renaissance film topped the box office, raking in $21 million in ticket sales during its opening weekend.

Renaissance: A Film By Beyoncé was released Friday, December 1, and defied the odds with a post-Thanksgiving haul of over $20 million, the Associated Press reports. The film is the first accomplish the feat since 2003’s The Last Samurai, which starred Tom Cruise.

The film also made $6.4 million from 2,621 theaters in 94 international territories. The Renaissance film is written, directed, and produced by Beyoncé and follows the creation and results of her 2023 world tour. She released the film in partnership with AMC.

“On behalf of AMC Theatres Distribution and the entire theatrical industry, we thank Beyoncé for bringing this incredible film directly to her fans,” Elizabeth Frank, AMC Theatres executive vice president of worldwide programming, said in a statement, per the Associated Press. “To see it resonate with fans and with film critics on a weekend that many in the industry typically neglect is a testament to her immense talent, not just as a performer, but as a producer and director.”

While Renaissance performed well for a concert film, it came nowhere near the $92.8 million debut of Taylor Swift: The Eras Tour in October, which has made more than $250 million in its soon-to-end theatrical run.

Beyoncé and Taylor Swift have been dominating the touring space in 2023 with their world tours. Bey’s started in Stockholm, Sweden, in May and ended in Kansas City, Missouri, raking in over $500 million with 2.7 million concertgoers. Swift’s “Eras Tour” is currently in its European leg with 151 dates, and is expected to gross around $1.4 billion.

The Renaissance film currently has a 100% rating on Rotten Tomatoes and an A+ on CinemaScore.

RELATED CONTENT: Beyoncé Debuts Star-Studded Renaissance Concert Film Premiere

Barack Obama Presidential Center

Harnessing The Power Of The Black Dollar To Create A Self-Sufficient Community

The Barack Obama Presidential Center presents a generational opportunity to catalyze Black economic development in the Woodlawn neighborhood on Chicago’s South Side.


Written by Thomas McElroy

Many of Chicago’s eminent institutions and significant amenities—the University of Chicago and its medical center, Jackson and Washington Parks, a commuter rail line—lie within, or border Woodlawn, a predominantly Black neighborhood. Despite these solid underpinnings, the real estate development community has been reluctant to invest in the South Side area. That is about to change. The planned opening of the Barack Obama Presidential Center in 2025 represents a generational opportunity to fuel economic development if it is done right.

One only needs to look at the contrasts among Chicago neighborhoods to conclude that neighborhoods that lack a voice over their future tend to have the lowest income levels. Therefore, any plan to leverage the Obama Center to drive Woodlawn’s economic development must focus on building a self-sufficient neighborhood, wherein retail and amenities attract spending.

Importantly, those dollars must stay within the community to generate wealth and enhance property and business values. This will draw more investment, which in turn will further empower the community to determine its future.

Chicago Engages Black Development Assets

To a certain extent, we’re already seeing this dynamic at play across a host of Chicago neighborhoods as a result of the city’s Invest South/West program. The genius of this $2.2 billion public-private initiative has been to embrace and empower Black and Brown developers to catalyze economic investment.

In awarding high-value projects to dozens of minority- and women-owned enterprises, Chicago is making the architecture, engineering and construction trades more equitable and representative of its residents.  This infrastructure-building process is self-sustaining, allowing contractors to qualify for bigger jobs and make further capital and people investments. With the transparent success of the Invest South/West model, developers from Florida, Tennessee and Texas at the University of Chicago’s inaugural Diverse Developers Conference planned to design similar programs.

In Woodlawn, the Obama Center will be the catalyst. The museum, library and education project is expected to attract 1 million tourists a year, a far greater number than the 750,000 visitors Obama predicted at the groundbreaking in 2021. Many of these visitors are going to be Black families, some of whom are making their first-ever trip to Chicago. If hotels, Black-centric restaurants and shopping amenities in close proximity are not safe and accessible, these tourists will simply visit the Obama Center and leave, spending discretionary monies outside of the community.

Recognizing this economic development opportunity, Chicago’s Apostolic Church of God and prominent Black leaders of Chicago’s South Side have launched plans for a nucleus of housing, offices, retail, performing arts, lodging and other uses around the Obama Center rail station. Serving Obama Center visitors will play a significant part in reversing the neighborhood’s decline and creating prosperity on its own terms. Much like Invest South/West, the Woodlawn Central development possesses the potential to provide Black and Brown developers around the country with a blueprint from which to draw inspiration or even duplicate.

Any such modern economic development project also will require a substantial investment in infrastructure, from transit to technology. Though they can be costly, these investments pay dividends: Transit breaks down barriers to employment by shuttling people to and from jobs, and technology opens multiple avenues of opportunity to entrepreneurs.

Black Equity Requires Black Investment

Traditionally, the inability to find financing has been a roadblock to Black neighborhood renewal efforts, especially for Black developers. Quite frankly, fundraising is still a challenge. However, by harnessing the Black dollar, Woodlawn Central aims to bring investment capital for the direct benefit of Black developers, who are integral to the community and best understand its needs.

An increasing number of Black businessmen and women, in financial services and other industries, are building a store of investible capital and connections in the private equity markets. Black-led real estate development is not only a natural extension of Black and Brown-inspired growth and development in other parts of Chicago, but also will energize and support Black businesses, creators, innovators and residents.

RELATED CONTENTNational HBCU Week Focuses On Career Pathways And Economic Development


THOMAS MCELROY

Thomas D. McElroy II is the principal and CEO of Level-1 Global Solutions.

Black-owned fragrance brand, perfume, scents, smell, holiday gift

8 Black-Owned Fragrance Brands For Perfume Lovers To Indulge

Check out these eight Black-owned perfumes.


The gift of fragrance is one of the easiest presents to give for the holiday season, as you don’t need to know what size a person wears or their favorite color. Plus, they make good stocking stuffers.

It may help to know what types of scents tickle their fancy. What appeals to people, and what might turn people off is often triggered by olfaction, that good ol’ sense of smell. So, when selecting perfumes to gift, keep that in mind. If you are unsure of scents that appeal to the recipient of the gift, play it safe. Err on the side of caution and opt for softer smells like fruit, citrus or floral over woody, spicy, or outdoors.

To make it even easier, BLACK ENTERPRISE has found eight Black-owned fragrance brands for perfume lovers to indulge.

1.) Brown Girl Jane

Brown Girl Jane was founded by Malaika Jones, Tai Beauchamp, and Nia Jones who came together to produce fine fragrances that are distinctively different from traditional perfumes. To get a whiff of multiple scents, check out the Discovery set that comes with these six mini sprays: Bahia, Casablanca, Lamu, Dawn, Dusk, and Dare.

Buy it here

2.) Aromatic Perfume Oils 

This perfume brand boasts a “extensive knowledge of the fragrance industry,” and offers a range of information about scents and the benefits of using perfume. The company’s featured scents are Opulence, Confidence, and Magnificence.

Buy it here

3.) Fenty

This perfume speaks for itself and not because of its hype girl and creator Rihanna, but because of its deep floral fragrance and statement bottle. 

Buy it here

4.) Savoir Faire

Peep the packaging on the Signature fragrance from Savoir Faire. It is absolutely gorgeous. This brand puts a refreshing spin on fine fragrance, bringing creativity and curiosity to its scents. Do explore the Whiskey Rose, LoveSuede, Sin, Santo, and Sage, Ascension, and Soul Cafe. 

Buy it here



5.) Mair 

Mair is making traction in the fragrance industry. Find its offering in Macy’s counters and online stores. Check out Peony Silk and Remember When. 

Buy it here



6.) B Fragranced 

The Black-woman owned fragrance brand is popular for its Embellish fragrance, which is said to be “sweet,” spicy and “edible,” thanks to its blend of peach, apple and sandalwood. Find Embellish and other B Fragranced scents on its website and at JCPenney and Walmart. 

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7.) Pink Mahogany 

Texas-based Pink Mahogany, founded in 2005, has a plethora of scents that would would be pleasing to anyone’s senses  

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8) Moodeaux 

This brand creates “clean luxury fragrances to help scent-crazed beauty fanatics smell good,” and it said what it said. Its wildly popular perfume is Punkstar. Its packaging is popping, too. 

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