HBCu basketball, Miss New Jersey

Spelman College Pageants Go Viral On TikTok, Introducing Internet Audience To HBCU Culture

The viral videos are shedding new light on the classic HBCU tradition.


It’s springtime at HBCUs nationwide, which means pageant season is rightfully upon us. This year, the pageants at Spelman College have gained a new audience on TikTok due to contestants’ viral videos.

Contestants have showcased their beauty and brains on the social media app and have attracted new viewers outside of their traditional circles. While the Miss Spelman College pageant will not announce a winner until April 14, the new fans have posted about their favorites as they become immersed in the contest.

The contestants went viral for their illustrious introductions, showcasing their aptitude for the crown. Various competitions are happening throughout the school, including the Miss Black and Gold and Miss Afrolatinidad pageants.

@ajahh.mariah

Miss Spelman Pageant Reveal 2024 at Spelman College🩵: Contestant 4

♬ original sound – ajahh.mariah

“Your search for the queen is officially done,” expressed contestant No. 4, Aziyah, a junior political science major from Atlanta. “Because, like my institution, I come second to none.”

Contestant No. 6 also made her own case for the crown.

@ajahh.mariah

Miss Spelman Pageant Reveal at Spelman College 🩵: Contestant 6

♬ original sound – ajahh.mariah

“Slow and steady, that’s how queens are made,” asserted Madison, a third-year English major at the all-women’s HBCU. “So I’ve just been patiently waiting, but finally, it’s my moment. Oh, and trust me, I’m about to own it.”

Those who have never experienced HBCU pageant culture are now getting a taste of the grandeur while loving every second. One asked why the general public is just now finding out about this sector of pageantry.

“How am I supposed to get anything done,” questioned enthused TikToker Suzanne Lambert. “And what I want to know is why has no one made a show about this yet?”

She added, “This is my version of March Madness right now.”

@itssuzannelambert I never want it to end #spelmancollege ♬ original sound – suzanne lambert

Another user broke down how “encouraging” the content is as it promotes Black excellence.

@courthousecouture The Miss Spelman Pageant reveal is ✨EVERYTHING✨ #courthousecouture #missspelmancollege #missspelman #spelmancollege #hbcupride #hbcu #historicalblackcollegesanduniversities ♬ original sound – courthousecouture

“This pageant reveal was giving ‘School Daze’ in the best way possible. If you know you know,” shared TikToker Courthouse Couture. “And all of the energy that I have spent on Bama rush and breaking that down, it should be spent on this pageant.”

The pageant enthusiasm on TikTok is similar to the previous “Bama rush” trend, during which incoming college freshman girls detailed their journeys to join sororities. Now, the spotlight is on these HBCU women as they race for the crown while gaining national attention.

RELATED CONTENT: HBCU First Look Film Fest Stops At Spelman College For ‘Let’s Talk’ Mentorship Conversation With Cathy Hughes

Trump, cabinet, oversight

Trump Administration Pressures European Companies To Follow Anti-DEI Order

U.S. officials have sent letters to companies in the European Union with government contracts.


The Trump administration is now pressuring European companies to comply with its anti-DEI order.

CNBC reports that U.S. officials have sent letters to companies in the European Union with government contracts. The warnings demanded that the companies “must certify” that none of their programs support DEI measures.

“Department of State contractors must certify that they do not operate any programs promoting DEI that violate any applicable anti-discrimination laws and agree that such certification is material for purposes of the government’s payment decision and therefore subject to the False Claims Act,” detailed the statements.

French business publication Les Echos first reported the release of the statements, which the American Embassies across the E.U distributed. The letters also included a questionnaire to ensure their compliance with the federal laws. Diplomats in the eastern U.S. states and Belgium additionally delivered the letters.

The French businesses impacted include those within the aviation, defense, and infrastructure sectors, as well as consulting firms.

Trump has been adamant about eliminating all DEI programming and departments across the federal government. His anti-DEI push has bled into the corporate sector as well. In line with Trump’s policy, U.S-based businesses, from Amazon to Target, have scaled back their inclusive initiatives.

However, the orders have faced pushback from other countries, especially France. The nation’s finance ministry stated that the aggressive approach does not reflect French values.

Moreover, the warnings come at a time of tension between the U.S. and its longtime allies, including France and the E.U. at large. At a time when Trump warns of unleashing tariffs on European exports, the DEI issue adds more fuel to the growing division.

While foreign companies are now facing pressure from the U.S. government’s internal shifts, U.S. companies are also facing similar warnings. The U.S. Federal Communications Commission will investigate DEI concerns under the Walt Disney Company and its ABC unit.

RELATED CONTENT: FCC Chair Targets Disney: Investigation Launched Into Company’s DEI Practices

A Different World, including Jasmine Guy, Kadeem Hardison, Dawnn Lewis, Cree Summer, Darryl Bell and Debbie Allen

Netflix Orders Rare Pilot For ‘A Different World’ Sequel

The pilot for the sequel marks only the second time that the streaming giant has ordered a pilot.


Netflix has greenlit a pilot for A Different World, a sequel to the 1987 sitcom that starred Jasmine Guy and Kadeem Hardison as Whitley Gilbert and Dwayne Wayne. The new series will follow their daughter’s experiences at an HBCU.

According to Deadline, the sequel pilot marks only the second time the streaming giant has ordered a pilot. The vast majority of its shows are produced in a straight-to-series manner, which means that, unlike network television, they (and, by extension, other major streamers) order an entire season sans a traditional pilot episode.

Per Deadline‘s sources, the pilot is a one-off, not a sign of a strategy shift from Netflix. The show comes with its own heavy hitters attached to the production side: writer/executive producer and showrunner Felicia Pride and executive producers Debbie Allen, Mandy Summers, Tom Werner, Gina Prince-Bythewood, and Reggie Bythewood are all responsible for the sequel.

The Bythewoods, Allen, and Werner are all veterans of the original series, and Allen is reportedly reprising her role as the director of the sequel, which she held for the entirety of the original series.

The original 1987 series was a spinoff of “The Cosby Show” and was supposed to follow the character Lisa Huxtable (Lisa Bonet) and her classmates at Hillman College, a fictional HBCU.

However, Bonet left after one season following her pregnancy (and at the request of Bill Cosby, the show’s creator, who reportedly didn’t want a young, unwed mother on the series), and the show pivoted toward an ensemble cast that prominently featured Hardison, Guy, Dawnn Lewis, Darryl M. Bell, Sinbad, Cree Summer, and Glynn Turman.

However, although the original series focused on Hillman, it is currently unknown whether or not the sequel will remain focused on Hillman or will focus on another yet-to-be-determined HBCU.

https://twitter.com/melanwisegirl/status/1905729013567693160?s=19

As Variety reported in August 2024, the series will somewhat resemble Peacock’s “Bel-Air,” a reboot of “The Fresh Prince of Bel Air,” on which Pride was a supervising producer during Season 3 of the series.

It is also unknown how much Cosby is connected to the sequel following his release from prison in 2021, but the reactions to the news of the show on social media have spawned fan casts and some amount of trepidation mixed with excitement as there are currently no roles filled on the show.

According to Deadline, the show is looking to film the pilot in Atlanta in June, but to do that, it will have to quickly fill uncast roles.

It’s A Different World indeed.

RELATED CONTENT: A Different World HBCU College Tour Extended After Successful Sold-Out Run

Amber Ruffin, Trump, White House Correspondents' Dinner

Comedian Amber Ruffin Dropped From White House Correspondents’ Dinner Lineup

Trump is expected to skip the annual event.


The White House Correspondents’ Dinner has formally canceled the performance of comedienne Amber Ruffin as Trump remains a likely no-show at the April 26 event.

The WHCA confirmed it will forego the longtime tradition of featuring a comedian at the dinner. The association’s president, Eugene Daniels, stated that the board “unanimously” decided to cancel Ruffin’s appearance. According to NPR, he noted its desire not to touch on the “politics of division.”

“At this consequential moment for journalism, I want to ensure the focus is not on the politics of division, but entirely on awarding our colleagues for their outstanding work and providing scholarship and mentorship to the next generation of journalists,” wrote Daniels in a statement emailed to the organization’s members March 29.

However, this move sharply differs from Daniels’ original stance on keeping Ruffin as the featured comedian. He once referred to the talk show host as a “perfect fit” for the first White House Correspondent’s dinner under Trump’s second term.

“When I began to think about what entertainer would be a perfect fit for the dinner this year, Amber was immediately at the top of my list,” shared Daniels initially. “She has the ability to walk the line between blistering commentary and humor, all while provoking her audience to think about the important issues of the day. I’m thrilled and honored she said yes.”

Ruffin is an acclaimed comedian known for her past eponymously-named late-night talk show. The New York Times Best-selling author is also a writer for “Late Night With Seth Meyers.”

The Correspondent’s Dinner has taken place since 1921, with most U.S. Presidents attending as a sign of respect and camaraderie with the press. However, Trump has never attended the high-profile event. The show also went on without a comedic performer during his first term in 2019.

Trump intends to keep with his tradition of playing hooky for the dinner. White House Press Secretary Karoline Leavitt also stated her intentions not to attend. Ruffin has yet to comment on her canceled appearance.

The move also comes as the Trump administration overrode the WHCA’s authority over which journalists cover the White House. The WHCA released its response to the change that “tears at the independence of a free press.”

“This move tears at the independence of a free press in the United States. It suggests the government will choose the journalists who cover the president. In a free country, leaders must not be able to choose their own press corps…But the WHCA will never stop advocating for comprehensive access, full transparency, and the right of the American public to read, listen to, and watch reports from the White House, delivered without fear or favor.”

How or if the WHCA intends to replace Ruffin’s appearance remains unknown.

RELATED CONTENT: Amber Ruffin Lands ‘Coolest Gig’ At White House Correspondents’ Dinner

Congresswoman Maxine Waters , National Council Of Negro Women , s 90 Years, Gala

Maxine Waters Triggers Elon Musk Over Comments About DOGE And Deporting Melania Trump

Musk made his ominous threat after Waters critiqued him during a recent rally in Los Angeles.


Rep. Maxine Waters’s comments seemingly triggered Elon Musk. The California Congresswoman spoke against the head of DOGE and even first lady Melania Trump.

According to The Root, Musk reacted after Waters made remarks during a rally in Los Angeles over the weekend. Waters condemned Musk’s actions as the de facto head of the Department of Government Efficiency (DOGE). She also stated that his billionaire status does not scare anyone.

“We don’t care how much money you have, Elon, we don’t give a damn about DOGE [the Department of Government Efficiency],” she asserted. “We are going to defend the Constitution.”

However, Musk cryptically alluded to Waters’ crimes against the Constitution. In a post to X quoting a Fox News article about her “anti-DOGE tirade,” Musk made his own claims against the longtime politician.

Before Waters took aim at Musk, the 86-year-old commented on Melania Trump’s controversial citizenship. Her jab at the first lady comes as Trump’s policies include an expansive immigration crackdown. The President hopes to drive the largest deportation effort in U.S. history.

“When he [Trump] talks about birthright [citizenship], and he’s going to undo the fact that the Constitution allows those who are born here, even if the parents are undocumented, they have a right to stay in America,” she began at the rally.

Waters added, “We don’t know whether or not [Melania’s] parents were documented. And maybe we better just take a look. If he wants to start looking so closely to find those who were born here and their parents were undocumented, maybe he ought to first look at Melania.” According to the U.S. Embassy, Melania moved to the U.S. from Slovenia in the 1990s for her modeling career.

She only became an American citizen in 2006 after marrying Trump, with her parents securing their citizenship in 2018 during his first presidential term. However, her status remains unaffected by Trump’s current immigration policies. Despite this, the issue still has struck a nerve with more liberal-leaning politicians.

While it is unclear if Musk intends to lead the charge against Waters or what her “crimes” actually are, his threatening words and accompanying power within the White House have left concerns about her safety.

Waters, known for her outspokenness in Congress, is likely unfazed by Musk’s ominous response to her critiques.

RECENT CONTENT: Maxine Waters Accuses Elon Musk Of Dubious Dealings, ‘With His High Technology A**’

deportation, judge, visa, protests

Cornell Student Momodou Taal’s Request To End His Deportation Denied By U.S. District Judge

His visa was revoked after he participated in a pro-Palestine protest.


U.S. District Judge Elizabeth Coombe refused to prevent the deportation of Momodou Taal, a British-Gambian Ph.D. student at Cornell University, whose visa was revoked after he participated in pro-Palestine protests on March 26.

According to The Associated Press, Coombe also declined to halt the enforcement of two executive orders that are largely responsible for a crackdown on international students involved in activism against the genocide of Palestinians perpetuated by the Israeli government, funded by American taxpayer dollars.

According to The New York Times, Taal argued during the hearing that he has already been made a prisoner, and as its reporting indicates, this ruling could raise the chances of a potential deportation or detention.

“This process is imminently hanging over me, and it has impacted every aspect of my life. I feel like a prisoner already, although all I have done is exercise my rights,” Taal wrote in court documents.

The federal government in general, and Donald Trump in particular, argued that the pro-Palestine demonstrations and protests were pro-terrorist, antisemitic, and anti-American.

In a post to his social media accounts on March 10, Trump wrote, “We know there are more students at Columbia and other universities across the Country who have engaged in pro-terrorist, anti-Semitic, anti-American activity. We will find, apprehend, and deport these terrorist sympathizers from our country — never to return again.”

However, according to Eliza Salamon, a Jewish 2024 graduate of Cornell who also participated in the protests, accusations of antisemitism against Taal are false.

“I’ve always seen Momodou treat everyone with the utmost respect, and I think it’s truly awful that these false accusations of antisemitism are being weaponized,” Salamon told the Times.

In court, Eric T. Lee, a lawyer representing Taal, made the case that the potential deportations of Taal and others were unconstitutional.

“There’s nothing in the Immigration and Nationality Act that makes someone deportable for attending a protest,” Lee said during a court hearing on March 25. “What we’re asking this court to do is strike down these orders. They’re plainly unconstitutional.”

Despite this argument, Coombe decided that Lee and the rest of Taal’s lawyers did not clearly establish whether she had the authority or jurisdiction to halt deportations, which are handled by immigration courts.

She also said in a ruling that Taal did not meet the high bar for the temporary restraining order he was seeking or adequately prove that his rights were under assault.

“Jurisdictional issues aside, Plaintiffs Ngũgĩ and Parasurama have not established that there is an imminent or ongoing threat to their constitutional rights that could be appropriately remedied by the requested restraints,” Coombe wrote.

“Any future harm alleged in their affidavits appears to be speculative and even moot because of the revocation of Taal’s visa,” the judge added in her ruling.

As Taal previously told The Hill, he has a much different idea of what his future harms could resemble.

“And given how they (the government) went after Mahmoud (Khalil), who has a similar fact pattern, I didn’t want to be a sitting duck for eventually myself or other international students. So, I found the lawsuit as a form of protection seeking national injunction to challenge the constitutionality of these executive orders,” Taal told the outlet.

RELATED CONTENT: Haitians, Cubans, Nicaraguans, And Venezuelans At Risk Of Deportation As Trump Revokes Temporary Legal Status

FCC Chair Targets Disney: Investigation Launched Into Company’s DEI Practices

FCC Chair Targets Disney: Investigation Launched Into Company’s DEI Practices

Although Disney revised its DEI efforts in February, FCC Chairman Brendan Carr said in a letter he was not satisfied with the changes.


Federal Communications Commission Chairman Brendan Carr indicated on March 28 that he would be investigating whether Disney’s diversity, equity, and inclusion practices violate the FCC’s equal employment opportunity regulations via a letter he sent to the company outlining his concerns.

According to Deadline, Carr sent a letter to Walt Disney Co. CEO Bob Iger, announcing his investigation on the grounds that Disney had not done enough to appease him regarding its DEI practices.

“While I have seen reports that Disney recently walked back some of its DEI programs, significant concerns remain,” Carr informed Iger in the letter.

Carr indicated that the FCC has authority due to ABC’s status (ABC is owned by Disney) as a regulated entity, and according to Carr, the rules of the FCC and the Communications Act establish that regulated companies are prohibited “from discriminating on the basis of race, color, religion, national origin, age or gender.”

Although Disney revised its DEI efforts in February, focusing more intently on belonging through a talent strategy factor, which a company memo says assesses “how leaders uphold our company values, incorporate different perspectives to drive business success, cultivate an environment where all employees can thrive, and sustain a robust pipeline to ensure long-term organizational strength,” this was not enough to avoid an investigation from Carr, which he hinted at in a similar memo to Comcast in February.

However, Anna Gomez, one of only two Democrats on the FCC and its de-facto voice of resistance, indicated in remarks to the Hispanic Chamber of Commerce that she believes Carr is overstepping his authority as FCC chair during his investigations.

Gomez told the chamber that she believes “private businesses all over the country are under attack” and urged businesses “not to stay silent” before expanding on those sentiments further.

“Government should have no business trying to roll back these efforts. (DEI) It is not only detrimental to small businesses and companies that know exactly what their customers want, it is also dangerous.” Gomez told the Hispanic Chamber of Commerce. “Many of you are the children of parents, grandparents, or great-grandparents who escaped countries where aggressive government intervention in the private sector and government censorship led to disastrous consequences.”

Carr has largely done Trump’s bidding, in some cases going well beyond his directives, which, as The Hollywood Reporter indicated, are largely derived from a Project 2025 chapter Carr authored. This chapter hints at the suppression of the national media and his indications that the American news media, in general, is untrustworthy, a point he made to Iger in another letter he sent to the CEO in December.

According to Victor Pickard, a professor of media policy and political economy at Penn’s Annenberg School for Communication, the outlet’s description of Carr as “off the leash” is apt.

Furthermore, Jessica J. González, the co-CEO of Free Press, a progressive Washington D.C.-based group focused on media regulation reform, indicated that Carr’s tactics are concerning.

“I think Brendan Carr’s objective is not unlike Viktor Orbán’s in Hungary. There’s a much broader play to quash the independence of media systems,” González said.

According to González, Carr “is more dangerous” than Donald Trump or Elon Musk.

Meanwhile, Pickard cited Carr and Trump’s proclivity to engage in costly lawsuits against national media outlets as a cause for concern.

“The fear of getting dragged into something expensive is what does the trick. Just knowing they could attract attention is what keeps them supine and not asking tough questions. It keeps them meek. I think we should be very scared,” Pickard said.

RELATED CONTENT: FCC Commissioner: VP Harris’s SNL Appearance Was A ‘Blatant Effort To Evade Equal Time

Trump, Smithsonian,

Critics Slam Trump’s Attacks On Smithsonian Over ‘Divisive, Race-Centered Ideology’

Ibram X. Kendi, an anti-racist and best-selling author, referred to the sentiments expressed in Trump’s executive order as a 'literal attack on Black America itself'


On March 27, Donald Trump issued yet another executive order, this one entitled “Restoring Truth and Sanity to American History,” which ironically accuses the Smithsonian Institution in general, and the National Museum of African American History and Culture in particular, of trying to rewrite the history of the United States of America.

According to The Associated Press, this executive order was widely and sharply criticized by several Black civil rights advocates and historians as well as political figures as an attempt to whitewash and sanitize history.

One of many critics, Morehouse College professor and historian Clarissa Myrick-Harris, told the AP that Trump wants to deny the actual history of the United States of America.

“It seems like we’re headed in the direction where there’s even an attempt to deny that the institution of slavery even existed, or that Jim Crow laws and segregation and racial violence against Black communities, Black families, Black individuals even occurred,” Myrick-Harris said.

Ibram X. Kendi, an anti-racist and bestselling author, took it a step further than Myrick-Harris, referring to the sentiments expressed in Trump’s executive order as a “literal attack on Black America itself,” and furthermore, “The Black Smithsonian, as it is affectionately called, is indeed one of the heartbeats of Black America,” and “also one of the heartbeats” of the United States itself.

Trump’s executive order, much like a brief from America First Legal, argues that the country is now subject to a “corrosive…divisive, race-centered ideology,” which has “reconstructed” America “as inherently racist, sexist, oppressive, or otherwise irredeemably flawed.”

The order also gives Vice President J.D. Vance the power to review all properties, programs, and presentations to stop programs that “degrade shared American values” or otherwise “divide Americans based on race,” which in this context can reasonably be inferred to mean anything that paints white people in a negative light, otherwise known as American history.

Kendi pointed to this in an additional comment, referring to a plan to starve out smaller museums, which, in a similar fashion to the NMAAHC, focuses on the experiences of Black Americans, museums such as San Francisco’s Museum of the African Diaspora, The Legacy Museum: From Enslavement to Mass Incarceration in Montgomery, Alabama, and the International African American Museum in Charleston, South Carolina.

“To me, that’s part of the plan, to starve these institutions that are already starving of resources so that the only institutions that are telling America’s history are actually only telling political propaganda,” Kendi said.

According to Robyn Autry, a sociology professor and director of the Center for Public Life at Wesleyan University and the author of “Desegregating the Past: The Public Life of Memory in the U.S. and South Africa,” Trump and his administration are engaging in the federal censorship of American history.

As Autry writes in an op-ed for MSNBC, “The threat to museums such as The National Museum of African-American History and Culture is real. But even more sinister is the administration’s rejection of race as a ‘social construct,’ which is nothing short of an expression of a belief in racial purity and white supremacy.”

Autry concluded, “There’s a reason people in Trump’s administration seem more bothered by the idea of equity than diversity or inclusion: They don’t seem to think we’re equal and they’re going after all content that suggests we are. They believe there is a natural order of human beings — a biologically rigid system of race — that puts them at the top. And they want to force our most celebrated historical institutions to back them up.”

RELATED CONTENT: Judge Orders Trump Administration To Reinstate Education Grants Axed Over DEI

Jess Hilarious, Host, Breakfast Club, Loren LoRosa

Jess Hilarious And Loren LoRosa Mock On-Air Drama With ‘The Job Is Mine’ Parody

Jess Hilarious and Loren LoRosa are making peace after their Breakfast Club drama.


The comedy and sarcasm were in full effect as Jess Hilarious and Loren LoRosa recorded a parody of “The Boy Is Mine,” playfully competing for the third co-hosting spot on The Breakfast Club.

A week after their heated on-air debate over who the true third co-host is, Jess Hilarious and LoRosa tackled the speculation with a comedic spoof. The Breakfast Club released the parody video on March 28, showing the two radio personalities playfully recreating Brandy and Monica’s iconic hit, “The Boy Is Mine.”

”They had about enough, it’s not hard to see the job is mine. I’m sorry that you seem to be confused. That seat belongs to me, the job is mine,” Jess and Loren belted out on the hook.

Brandy and Monica’s signature verses were swapped out, and Jess and Loren took turns pleading their case for why they deserved the co-hosting gig.

”I think it’s time we got this straight. Sat and talk face to face. There is no way you could mistake this for your job are you insane,” Jess sings.

”See I tried to hesitate, I didn’t want to say what they told me, they said without me here to explain the latest news they wouldn’t stay,” Loren sang in response.

The playful parody addressed the buzz surrounding last week’s on-air clash, where Jess called out Loren for her frustration over her continued presence on the morning show after returning from maternity leave. After hashing things out on air, Loren later announced her new solo show with iHeartMedia and Charlamagne tha God’s Black Effect Podcast Network.

Fans applauded the spoof song and Jess and Loren for resolving what started as a problematic situation.

”This is legendary marketing,” one fan wrote.

”You know what?! I ain’t mad at it. My type of carrying on! Marketing genius,” added another user.

RELATED CONTENT: Jess Hilarious Stood ’10 Toes Down’ For Her ‘Breakfast Club’ Salary Requirements

shooting, Mississippi, HBCU

ATL Rapper Young Scooter Dies At 39

Atlanta’s Fulton County medical examiner’s office is conducting an autopsy to confirm Young Scooter's cause of death.


Young Scooter, an Atlanta rapper best known for being signed to Future and Waka Flocka Flame record labels, died on his birthday at 39. He died in his hometown after suffering a severe leg injury while fleeing from police officers and jumping fences.

Born Kenneth Edward Bailey, Young Scooter was confirmed deceased by Atlanta’s Fulton County medical examiner’s office, according to Variety

Atlanta police explained in a statement on March 28 that officers responded to shots being fired at a residence on William NY Drive SE and a woman in distress.

Andrew Smith, the Atlanta police lieutenant, said, “Once officers arrived they knocked on the door. A male opened the door and immediately shut the door on the officers.”

The officers then began searching for the suspect, who at the time was not named as Scooter. 

Smith continued, “During the process of establishing the perimeter, two males fled out of the rear of the house. One male returned into the house. The other male jumped two fences as he was fleeing. When officers located him on the other side of the fence, he [Scooter] appeared to have suffered an injury to his leg.”

“Just to be very clear, the injury that was sustained was not via the officers on the scene. It was when the male was fleeing,” He reiterated. 

According to the medical examiner’s report, Scooter was transported to the Grady Marcus Trauma Center and subsequently died from his injuries upon arrival. 

An autopsy for Scooter’s official cause of death is still in the works, but officers believe it was a product of his leg injury obtained while jumping the fence. 

Young Scooter broke into the rap scene in the 2010s as a “consistent presence” in the Atlanta area. He worked closely with other rappers like Future and Young Thug, Juicy J, Kodak Black, and Rick Ross.

Scooter’s latest project, titled Trap’s Last Hope, was released last March.

RELATED CONTENT: ‘Walk It Out’ Hitmaker DJ Unk Dies At 43

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