Man Survives Home Invasion After Flashing Fake Money On Facebook
The 64-year-old admitted that the picture was a fake post and he did not have the money.
Being called broke led a 64-year-old man to post a photo of a stack of cash, prompting a home invasion by thieves who hoped to steal what he had posted.
Anthony McNary of Indianapolis man said he admitted that the Facebook post was fake, and he did not have the cash, leading him being beaten and shot in the back of his neck, FOX 59 reported.
“He just stuck the gun to the back of my head and pulled the trigger. I couldn’t believe it. Over a fake post,” said McNary, who spent several days in the hospital.
It all started when the two men saw McNary’s Facebook post two days before the attack. The photo was from an old Facebook memory he previously posted. McNary said the two men were wearing tactical vests with “police” on the front and back.
They told him that there were police officers when they confronted him.
According to McNary, one of the men said, “Where’s the money at? Where’s it at? I seen what you posted on Facebook. Where’s the money at?’”
McNary told the men that “it was a prank” and that the post was fake. When the men realized there no money in the home, they pistol-whipped and choked him. Then that’s when one of them placed the gun, execution-style, to the back of McNary’s neck and pulled the trigger.
Shortly after being shot, police officers arrived and rushed McNary to the hospital.
“I said to myself, ‘I’m about to die over a fake post.’ That’s what I was saying to myself,” said McNary.
The suspects have yet to be identified, and the Indianapolis Metropolitan Police Department said the case is active.
Anyone with information can call 317-262-TIPS (8477) to remain anonymous.
While Viewers Gushed Over Bad Bunny Super Bowl Halftime Show, Trump Calls It ‘One Of The Worst’ In Social Media Rant
Trump called the performance a "slap in the face" to America, despite Bad Bunny hailing from Puerto Rico.
President Donald Trump has continued his tirade against Bad Bunny’s Super Bowl Halftime show.
To little surprise, the President had choice words to say about the Puerto Rican singer’s performance. Given the Latino artist’s Spanish-heavy set, which nodded to his Boricua heritage and the diverse Latin culture, Trump condemned the performance as a “slap in the face” to U.S. youth and English speakers.
On a rant to Truth Social, Trump wrote a lengthy note critiquing Bad Bunny’s showcase of the Latino community, coinciding with a time where this group has become a target of ICE raids and deportation.
“The Super Bowl Halftime Show is absolutely terrible, one of the worst, EVER! It makes no sense, is an affront to the Greatness of America, and doesn’t represent our standards of Success, Creativity, or Excellence. Nobody understands a word this guy is saying, and the dancing is disgusting, especially for young children that are watching from throughout the U.S.A., and all over the World,” began the President.
The show was a portrayal of Puerto Rican life from beginning to end, with Bad Bunny emphasizing that this community is part of the U.S. and the Americas at large. While intended as a display of Latin heritage, culture, music, and unity for all, the President belittled the historic performance as “nothing inspirational.” On an off-topic note, he concluded his social rant by proposing a rule change for next year’s big game.
“This “Show” is just a “slap in the face” to our Country, which is setting new standards and records every single day — including the Best Stock Market and 401(k)s in History! There is nothing inspirational about this mess of a Halftime Show and watch, it will get great reviews from the Fake News Media, because they haven’t got a clue of what is going on in the REAL WORLD — And, by the way, the NFL should immediately replace its ridiculous new Kickoff Rule. MAKE AMERICA GREAT AGAIN! President DONALD J. TRUMP,” he concluded in the post.
Trump’s disinterest in Bad Bunny’s Super Bowl Halftime Show performance should come as no surprise, especially since Trump supporters opposed the idea from the start. As Bad Bunny primarily sings in Spanish and hails from the U.S. territory of Puerto Rico, many MAGA affiliates felt his inclusion was too “un-American.”
Instead, the MAGA movement decided to create its own alternative to the halftime show. Produced by Turning Point USA, a conservative organization founded by the now-deceased Charlie Kirk, the “All-American Halftime Show” sought to provide patriotic entertainment in lieu of Bunny’s his diverse celebration. Headlined by Kid Rock, Brantley Gilbert, Lee Brice, and Gabby Barrett, the show welcomed those who refused to listen to the 2026 Grammy Album of The Year winner and his highly-anticipated set.
While some tuned in to that show, which was streamed only on various conservative networks, Bad Bunny’s Halftime performance is expected to have secured over 100 million viewers across American households, according to Yahoo Entertainment. The most-streamed artist on Spotify performed many songs from his Grammy-winning album, “DeBÍ TiRAR MáS FOToS.”
The performance also featured guest singers such as Ricky Martin and Lady Gaga, with appearances by Cardi B, Karol G, Pedro Pascal, and Jessica Alba among those dancing on the lush green stage reminiscent of Puerto Rico.
11 Black Power Songs To Get You Hype For Black History Month
Black history has never moved in silence
Black history has never moved in silence; it’s marched, chanted, and sung through generations of resistance, pride, and unapologetic joy. Black power music serves as cultural documentation and motivational fuel, tracing its evolution from Civil Rights-era declarations to contemporary hip-hop protest lines. The songs transcend entertainment value and function as audible timelines that document liberation alongside identity and collective resilience. Spanning decades, musicians used their music to drive movements and honor Black excellence. These 11 songs showcase music’s motivational spirit and transformative power to empower individuals. The songs both affirm Black identity and challenge injustice while amplifying joy and resilience.
“Say It Loud – I’m Black and I’m Proud” — James Brown (1968)
James Brown’s song “Say It Loud – I’m Black and I’m Proud” is a militant celebration of Black pride that transformed identity language during the late 1960s. The song was recorded in Los Angeles with local youth on the call-and-response chorus and released in 1968 after the death of Dr. Martin Luther King Jr. The song transformed “Black” into a positive identity term and became an unofficial anthem of the Black Power movement and “Black is Beautiful” cultural shift.
“BLACK PARADE” — Beyoncé (2020)
Beyoncé Knowles-Carter, a global pop and cultural icon, released her album BLACK PARADE on June 19, 2020, Juneteenth, the holiday that marks the end of slavery in the U.S. The album unites Black culture with joy and resilience while promoting activism and economic empowerment. Beyoncé chose to release the album during the nationwide racial justice protests that occurred after George Floyd’s murder. Beyoncé organized the album release to direct proceeds toward her BeyGOOD Black Business Impact Fund, which supports Black-owned businesses. She also created a directory to showcase Black-owned brands.
“Fight The Power” — Public Enemy (1989)
Public Enemy released the 1989 hip-hop protest song “Fight the Power” to confront systemic racism and cultural erasure. Through their leadership, Chuck D and Flavor Flav created a generational anthem that combined Black musical heritage with direct social commentary and activist power. The song and video depicted Black urban struggles in Brooklyn, New York, and served as a central part of Spike Lee’s film, Do the Right Thing.
“To Be Young, Gifted And Black” — Nina Simone (1970)
The song “To Be Young, Gifted and Black” was written by Nina Simone in 1970. Simone created this inspirational song to honor playwright Lorraine Hansberry while working as a singer-songwriter and activist. The song honors Black youth alongside their potential and cultural power while teaching Black listeners that talent, intellect, and pride are their natural possessions. The song debuted in the late 1960s and was recorded live in 1970.
“Glory” — Common & John Legend (2014)
In December 2014, the powerful civil rights anthem “Glory” debuted in the Oscar-nominated film about the 1965 Selma-to-Montgomery voting rights marches. Common and John Legend perform together on this track, combining hip-hop elements with soulful melodies to produce an emotional impact. Through historical Southern civil rights events, the song “Glory” links current justice movements with the need for ongoing unity to achieve equality.
“Alright” — Kendrick Lamar (2015)
The rapper Kendrick Lamar from Compton, California, produced the song “Alright” in 2015. The song’s chorus transformed into a strong protest chant at Black Lives Matter demonstrations. The track from the 2015 album To Pimp a Butterfly gained widespread attention during protests against police violence. The song’s repeated declaration “We gon’ be alright” provided hope and unity during difficult times.
“Black Like Me” — Mickey Guyton (2020)
Mickey Guyton released her song “Black Like Me” in June 2020, during nationwide protests against racial injustice. The song presents a straightforward, individual analysis of racial problems and social inequality in America while challenging the white majority within country music. Through her song, Guyton brought fresh perspectives on racial understanding and equality to a musical genre that had rarely included Black artists, thereby establishing a revolutionary platform for these themes.
“Brown Skin Girl” — Beyoncé (2019)
The song “Brown Skin Girl,” which celebrates Black beauty and pride through its radiant lyrics, came out in 2019 as part of The Lion King: The Gift album. The song features Beyoncé, Blue Ivy, SAINt JHN, and Wizkid and draws on Black diasporic culture worldwide. The song “Brown Skin Girl” became a major musical work that celebrated melanin and representation, empowering Black women and girls worldwide.
“Umi Says” — Mos Def (Yasiin Bey) (1999)
The song “Umi Says” by Mos Def, now known as Yasiin Bey, delivers a soulful message about self-affirmation, peace, and life purpose. The track appeared on Bey’s 1999 solo debut album, Black On Both Sides, and combines hip-hop with neo-soul elements that mirror the Black artistic movement of the early 2000s. Through his avant-garde rap and acting, Bey conveys a guiding message about maintaining internal stability amid external turmoil.
“Brown Skin” — India.Arie (2001)
The album Acoustic Soul, released in 2001, features the soulful ballad “Brown Skin” performed by India.Arie. Through her strong vocal performance, India.Arie delivers a powerful message about self-acceptance and worth. The song “Brown Skin” has become a powerful anthem of Black self-love, celebrating personal beauty and individual identity, even though it was not written as a protest song.
“The Revolution Will Not Be Televised” — Gil Scott-Heron (1971)
In 1971, poet-musician Gil Scott-Heron released the spoken-word manifesto “The Revolution Will Not Be Televised.” The song required viewers to participate actively in social transformation during the early years of the Black Power movement, rather than passively consuming media. The song thoroughly engaged black intellectual and artistic communities across the United States, delivering a prophetic critique that brought cultural awareness to political urgency and motivated multiple generations of artists and activists.
J. Cole Returns To North Carolina A&T University, Where His Hip-Hop Journey Began
The North Carolina native headed back to the HBCU to celebrate a milestone in his career.
J. Cole made a special visit to North Carolina A&T University, where the HBCU helped spark his music career.
The Fayetteville, North Carolina, native returned to the school where he sold his first-ever CD at the very beginning of his career. According toHBCU Gameday, the “No Role Modelz” rapper stopped by Feb. 7 to show love to the HBCU community that supported him back then.
However, the famed rapper did not stop by without some warning. He shared the memory on X, posting about the memorable time at NCAT and its “GHOE” homecoming. To make the milestone a “full circle” moment, he decided to drive down to Greensboro to sell some copies of his recently released “The Fall Off” LP.
NC A&T. First time I ever sold a physical version of my own full project was on your campus during Homecoming. We sold The Come Up for $1 out the trunk of this car. I’m bout to drive to Greensboro right now to see if I can sell a couple copies of The Fall-Off tonight. Full…
“NCA&T. First time I ever sold a physical version of my own full project was on your campus during Homecoming. We sold The Come Up for $1 out the trunk of this car. I’m bout to drive to Greensboro right now to see if I can sell a couple copies of The Fall-Off tonight. Full circle !!!”
The news outlet confirmed that thousands of students flocked to the yard by the time J. Cole pulled up to the campus. Cole shared a sweet message with the students, inspiring them as he rolled out his personal project.
The HBCU also received a special shoutout in the project. Cole mentioned the nation’s largest HBCU in the track “Safety” for the two-disc album. The move was a nod to his history and legacy in rap and his home state, especially as many speculate that “The Fall Off” is his last before hanging up his mic.
While only J. Cole knows for sure where his career will turn next, fans at NCAT will always have this memory of the rapper showing extra love to their alma mater.
Rosalind ‘Roz’ Brewer Will Receive Legacy Award At The 2026 Women OF Power Summit
Her forward trajectory reflects a decades-long record of leadership at some of the nation’s most influential institutions.
Rosalind “Roz” Brewer is being honored with the 2026 Legacy Award at the BLACK ENTERPRISE Women of Power Summit March 11-15 at the Bellagio Hotel & Casino in Las Vegas. Brewer is a trailblazer with a career defined by firsts across corporate America. Her forward trajectory reflects a decades-long record of leadership at some of the nation’s most influential institutions.
She began her professional career in 1984 at Kimberly-Clark Corporation, over a 22-year tenure, Brewer advanced through leadership roles and ultimately served as president of the Global Nonwovens Division. In 2006, Brewer joined Walmart, where she held multiple senior leadership positions, including regional vice president and president of Walmart East. Only six years later, Walmart named her president and CEO of Sam’s Club, making her the first Black person to lead a Walmart division.
"The next level of leadership is about becoming great listeners, acting on the information, and making your people feel included" – American businesswoman and former CEO of Walgreens Boots Alliance, Rosalind "Roz" Brewer. #TPPAfrica#LeadershipQuotespic.twitter.com/XpDcG70g0r
Brewer joined Starbucks Corporation in 2017, as chief operating officer and group president. In her ascension she became the first woman and first African American to hold the role. In March 2021, Brewer was appointed CEO of Walgreens Boots Alliance and joined the company’s board of directors. At the time of her appointment, she was among a small number of Black women leading Fortune 500 companies.
Beyond her executive roles, Brewer has served on the boards of Amazon, Starbucks, Lockheed Martin, and Molson Coors Brewing Company. She currently serves on the board of the Smithsonian’s National Museum of African American History and Culture and is interim president and chair emerita of Spelman College.
Brewer is ranked among the Most Powerful Women in Business on the Forbes 50 Over 50 list amongst many other honors. Her next honor will arrive at the Women of Power Summit in Vegas. She is beyond a doubt a visionary and has rightfully earned her place with a select group of leaders whose careers continue to shape corporate leadership and expand opportunity. To learn more about the 2026 Women of Power Summit click here.
Bob Marley’s Love Of Soccer Steps Into Focus In New Adidas Collection
The release coincides with what would have been Marley’s 80th birthday and arrives as global attention builds toward the 2026 FIFA World Cup.
By Robert Hill
Adidas released a new apparel and footwear collection in collaboration with the Bob Marley Foundation on Feb. 6, celebrating the late reggae icon’s legacy and lifelong passion for soccer.
The release coincides with what would have been Bob Marley’s 80th birthday and arrives as global attention builds toward the 2026 FIFA World Cup. The collection honors Marley’s passion for the sport, which was often described as his love outside of music.
Marley’s connection to soccer played a central role in the collaboration and has been recognized as a piece of his identity. The late artist often referred to the sport as a source of freedom, unity, and personal expression, often watching matches while on tour. His love for soccer and Jamaica, combined with his global cultural influence, led Adidas to create an apparel line in his honor.
The apparel features the powerful phrase “Football is Freedom” on graphic T-shirts with Marley’s face. Other items include basketball shorts and shoes.
Rolling Stone reported, “Of particular note is the Bob Marley Gazelle Jamaica Shoe featured in the capsule, which reimagines one of Adidas’ hero silhouettes in bright yellow and green, with a touch of ruby lining the classic Three Stripes overlays on the upper. The German brand’s signature, thick rubber outsole is present here, too: doling out traction on surfaces from the turf to the city sidewalk.”
Adidas carefully crafted the designs as the brand worked closely with the Bob Marley Foundation, drawing inspiration from archival photographs, tour-era clothing, and Marley’s style to create pieces that reflect his love for music, football, and Jamaican culture, as provided by the foundation.
As the 2026 FIFA World Cup approaches, the Bob Marley and Adidas collaboration reflects how brands continue to align prominent figures with sporting moments. This collaboration reinforces that Marley’s influence will continue to spread for generations to come.
Trump Disinvites Wes Moore, Nation’s Only Black Governor, From National Governors Association Dinner
'As the nation’s only Black governor, I can’t ignore that being singled out for exclusion from this bipartisan tradition carries an added weight — whether that was the intent or not,' Moore stated.
Maryland Gov. Wes Moore says he was uninvited from the National Governors Association’s annual dinner with the President. The governor shared the news in a statement, noting the Trump administration’s departure from the longstanding tradition.
“As the nation’s only Black governor, I can’t ignore that being singled out for exclusion from this bipartisan tradition carries an added weight — whether that was the intent or not.”
Moore also noted that weeks ago, he was part of a group of bipartisan governors who visited the White House and collaborated with the Trump administration to reach an agreement on reforms to lower energy costs and improve grid reliability. Moore emphasized that the meeting showed what becomes possible when leaders prioritize results over politics.
In a conversation with CNN, Moore said he doesn’t know the President’s intent in disinviting him, but he did note that his race is something that he can’t ignore.
“I’m never in a room because of someone’s benevolence or kindness. I’m not in a room because of a social experiment. I’m in the room because I belong there, and the room was incomplete until I got there,” Moore told the outlet.
The White House traditionally hosts a black-tie dinner after governors from all 50 states gather in Washington, D.C., for an annual bipartisan meeting. However, this year the President did not invite several Democratic governors to the dinner, including Moore and Colorado Gov. Jared Polis. Both have publicly criticized Trump. Still, other Democratic leaders who have been outspoken critics of the President, such as California Gov. Gavin Newsom and Illinois Gov. J.B. Pritzker, received invitations.
“To disinvite individual governors to the White House sessions undermines an important opportunity for federal-state collaboration.” National Governors Association CEO Brandon Tatum said in a statement obtained by CNN.
Connect Music: Black-Owned Music Rights Tech Firm Hits $80M Milestone
With the new financing, Connect Music will have the opportunity to scale its acquisition and licensing strategy.
Connect Music, a Black-owned music rights and tech company based in Memphis, just hit an $80 million milestone. The company reached this achievement with Rockmont Partners and Variant Investments.
The new financing positions Connect Music for significant growth in catalog acquisition, music licensing, and data-driven solutions. It’s a move that the company’s CEO, George Monger, said will empower independent artists and labels.
“This investment represents transformational growth capital for Connect Music and the artist partners we serve,” said Monger. “It gives us the ability to grow aggressively while staying true to our mission: empowering creators to maximize their earnings while owning their art, their data, and their future.”
Connect Music Expanding Opportunity For Independent Artists and Labels
Monger began his career managing an international opera singer on tour and later launched a nonprofit music organization. He served as Chief Operating Officer of the Memphis Symphony Orchestra for four years before launching Connect Music in 2020.
He set out to provide independent artists and labels with transparent technology and financing typically reserved for key industry players.
“We have seen Connect accelerate from a bold vision into a scaled, high-performing business,” said Curt Futch, managing director at Rockmont Partners. “George’s ability to pair operational discipline with a deep commitment to creators has been a differentiator at every stage, and we have been impressed with how he executes on his plans.”
With the new financing, Connect Music will have the opportunity to scale its acquisition and licensing strategy and deploy proprietary AI models that could allow artists to earn more from their intellectual property.
“Managing artists and running a nonprofit taught me that talent alone isn’t enough- artists deserve systems that honor their creativity and secure their future,” Monger added. “My mission is to redefine what it means to win in music: where ownership, education, and empowerment coexist. This investment allows us to scale while keeping creators at the center of every decision.”
A Look At Black Historical Halftime Performances On Super Bowl Sunday
The Super Bowl halftime stage is a cultural indicator of who dominates American music.
The halftime stage at Super Bowl Sunday is a cultural indicator of who dominates American music and media power on the biggest sports night of the year. Year-after-year, Black artists have continuously defined the Super Bowl’s most iconic halftime performances.
Performances by contemporary artists such as Dr. Dre and Kendrick Lamar were culturally impactful, bringing in major audiences and revenue growth to Super Bowl Sunday. Notably, they aren’t the only ones. Over the years, historical music moments have demonstrated how Black creative talent maintains its position as the global standard for showmanship, storytelling and musical innovation during Super Bowl Sunday. Check them out.
Michael Jackson
The King of Pop’s 1993 Super Bowl halftime show in Pasadena was a game-changer. His performance dramatically increased halftime viewership and turned the segment into a major cultural event. The production approach and medley that Jackson performed established the blueprint for halftime performances for the following years.
Prince
On Feb. 4, 2007 Prince performed a career-defining halftime show (in the rain, no less) during Super Bowl XLI in Dolphin Stadium in Miami Gardens, Florida. Prince’s halftime show received critical acclaim, especially Prince’s stamina during the “Purple Rain” performance. It became one of the most memorable events in sports history.
Beyoncé (and Destiny’s Child)
In 2013, Beyoncé, along with fellow Destiny’s Child members Kelly Rowland and Michelle Williams, delivered a high-energy throwback performance in New Orleans. The show presented Beyoncé’s distinctive pop-R&B music style through a collection of hit songs that mesmerized the crowd.
Diana Ross
At Super Bowl XXX in January 1996, legendary entertainer Diana Ross performed a solo halftime show. Through multiple medleys and theatrical staging, Ross showcased her musical showmanship and demonstrated the richness of Black performance art through elaborate staging and choreography.
Stevie Wonder
In 1999 in Miami, Stevie Wonder presented a soulful musical performance, blessing football fans with his musical legacy and performing with other artists.
Rihanna
On Feb. 12, 2023, Rihanna performed as the main act of the Super Bowl LVII halftime show at State Farm Stadium in Glendale, Arizona. The international hitmaker’s performance became one of the most viewed and discussed halftime shows of recent years. Rihanna revealed her pregnancy during the show and demonstrated her commitment to performance art
Dr. Dre, Snoop Dogg, Kendrick Lamar, Mary J. Blige, Eminem, and 50 Cent
On Feb. 13, 2022, six legends took the stage at the Super Bowl LVI halftime show at SoFi Stadium in Inglewood, California. The hip-hop artists and R&B legend, performed the first halftime show that focused exclusively on hip-hop culture, combining nostalgic elements with cultural influence to redefine halftime show conventions.
Kendrick Lamar
At the 2025 Super Bowl LIX halftime show, Kendrick Lamar and SZA performed a dynamic and theatrical halftime set that combined hip-hop music with social commentary. The performance on Feb. 9, 2025 attracted a large audience due to Kendrick’s highly publicized hip-hop battle with Drake.
Usher
The R&B superstar was the headliner at Allegiant Stadium in Las Vegas on Feb. 11 2024, where he he showcased three decades of musical dominance. The event made it clear that Usher’s music continues to endear audiences both commercially and culturally.
Janet Jackson
The Super Bowl XXXVIII halftime show featured Janet Jackson as a co-headliner with Justin Timberlake on Feb. 1, 2004. The performance resulted in a “wardrobe malfunction” that left Jackson’s bosom exposed after Timberlake snatched part of her brassiere top, and created lasting effects on broadcast standards and censorship debates while increasing the scrutiny of Black women who perform on major stages.
Whitney Houston
At Super Bowl XXV in 1991, Whitney Houston performed what many people regard as the greatest rendition of “The Star-Spangled Banner.” The performance became one of Houston’s best and achieved commercial success while receiving widespread acclaim. The performance established new standards for vocal excellence and emotional impact in anthem performances.
Black Star Power Lights Up Super Bowl Commercial Breaks With Spike Lee, Serena Williams, And More
Black celebrities across sports and entertainment will take part in this year's Super Bowl ads.
Black celebrities are getting their own spotlight during the highly-anticipated commercials for this year’s Super Bowl.
These superstars in entertainment and sports will make the big game even more special as the Seattle Seahawks take on the New England Patriots on Feb. 8. Throughout the game, fans can catch their favorites in Black Hollywood appear on Super Bowl commercials.
Spike Lee, Marshawn Lynch, and streamer IShowSpeed will star in a new commercial with Oakley Meta, showing off the possibilities with the Meta AI-powered sunglasses, as reported by ESPN. The clip shows the NFL retiree skydiving, the Twitch star running against an airplane, and the Do The Right Thing director making a cameo at the end of the minute-long advertisement.
As for more Black elite athletes, Baltimore Ravens star Derrick Henry will feature his face despite not making it to the actual showdown. The running back partnered with Oikos for a Super Bowl commercial to show off his own throwing skills to impress some football fans during the game.
Outside of football, Serena Williams is swinging big with her ongoing partnership with telehealth company Ro. As a spokeswoman for their weight loss treatments, Williams will continue promoting the brand and her usage of its GLP-1 for her own fitness journey.
For our entertainers, Ludacris will also join the fun with his own ad for Frank’s Red Hot sauce, as Keegan Michael-Key will show off his singing chops in a new State Farm commercial. Dawn Staley will even make her Super Bowl commercial debut with a collaboration for Dove. She will be featured in its 2026 Body Confident Sport campaign, promoting body positivity and confidence for all women.
Even some acclaimed Oscar winners will get their due time with a seconds-long shot. Oscar winner Octavia Spencer will team up with Sofia Vergara for a Boehringer Ingelheim commercial. Titled “Mission: Detect the SOS,” the actresses will raise awareness for kidney damage and increased heart risk for those with Type 2 diabetes.
As sports fans get ready for the NFL championship, they can see Black Hollywood take the limelight during game breaks.
