Gavin Newsom,reparations

Governor Newsom Draws Line On Reparations: Approves Study, Vetoes College Preference For Slave Descendants

The outspoken Democratic governor called the college bill "unnecessary," which author Democratic Assemblymember Isaac Bryan referred to as “more than disappointing.”


California Gov. Gavin Newsom is giving mixed signals on where he stands in the continuous fight for reparations after he approved a $6 million study, but vetoed a bill permitting colleges and universities to give special admission consideration to descendants of slaves, The Associated Press reported. 

The bill, amongst several supported by the California Legislative Black Caucus, was introduced over the past two years in an effort to fight against decades of discrimination in housing, education, the criminal justice system and more. However, Newsom called the college bill “unnecessary,” which author Democratic Assemblymember Isaac Bryan referred to as “more than disappointing.”

“While the Trump Administration threatens our institutions of higher learning and attacks the foundations of diversity and inclusivity, now is not the time to shy away from the fight to protect students who have descended from legacies of harm and exclusion,” Bryan said in a statement.

However, there are a few reasons behind Newsom’s decision. He said universities “already have the authority to determine whether to provide admissions preferences” to slave descendants. He also considered the legal ramifications that could come with the bill being approved. 

According to Politico, critics allege the move would be a violation of Proposition 209, which prohibits the state’s public universities from considering race in admissions, due to the controversial U.S. Supreme Court overturn of affirmative action in 2023. It would also add to the scrutiny behind the Trump Administration’s most recent crackdown on recruiting colleges to abide by his anti-diversity, equity and inclusion agenda. 

President Donald Trump called on nine colleges and universities across the country, including the University of Southern California, to adopt the administration’s vision for America’s education campuses. They are committed to adhering to priorities surrounding admission policies, women’s sports, free speech, student discipline, tuition affordability, and other key areas. 

He gave school leaders until Nov. 21 to make their decision, but Newsom already spoke out, saying Golden State schools have no plans to conform. “California universities that bend to the will of Donald Trump and sign this insane ‘compact’ will lose billions in state funding — IMMEDIATELY. California will not bankroll schools that sign away academic freedom,” the governor wrote in a stern post on X. 

However, one school, California State University, will be busy working on some of the bills created by lawmakers, including one that requires the college to develop procedures that will identify those who qualify as descendants of slavery, in addition to creating a state agency — the Bureau for Descendants of American Slavery —  responsible for administering reparations.

Chair of the Black Caucus and Democratic state Sen. Akilah Weber Pierson said the law, which she authored, will help California acknowledge its painful past.

“This bill represents hope, responsibility, and a commitment to make right what was wrong for far too long,” she said.

RELATED CONTENT: Free Speech On Trial: Texas Tech University Student Arrested And Expelled After Outburst At Charlie Kirk Vigil

LSU, Baton Rogue

LSU’s Divine 9-Hosted Annual Homecoming Step Show Was An Ode To Black Culture

The step show shed light onto the experience and heritage of LSU's Divine 9 organizations.


Divine 9 members of Louisiana State University brought the culture to their institution with their annual Homecoming step show.

The cohort of Black Greek Letter Organizations has made its mark on campus with this time-honored tradition. In this year’s showcase, eight fraternities and sororities performed for the audiences, showing LSU this element of Black collegiate culture.

LSU’s National Panhellenic Council brought the show to life at the school’s Union Theater Oct. 10. Participating groups competed for a cash prize and bragging rights until next homecoming season. Beyond winning, the step show honors LSU’s Black collegiate community.

“It’s a big representation of Black culture, especially in college,” shared Ryan Rice, a member of Alpha Kappa Alpha Sorority Inc, to the LSU Reveille. “It displays the diversity at LSU, shows the historical legacy of the Divine Nine and highlights just how large and impactful our community is, as all nine organizations that make up the National Panhellenic Council are active on LSU’s campus.” 

Using the themes of their organizations, each group performs a skit while stepping to the beat of popular and classic hits. From Glorilla’s “Let Her Cook” to Trill Family’s “Wipe Me Down,” each competitor brought the laughs and talent to the stage. Many also touch on pop culture moments, such as the university’s Omega Psi Phi chapter and their winning performance, which took inspiration from the 2025 film Sinners.

Step shows remain an integral part of the Divine 9 experience, also featured at many HBCUs. As an expression of unity, creativity, and heritage, step shows are a way to bridge the overarching Black Greek community with their entire campuses.

Performing at the step show feels more important than ever to LSU’s Divine 9 community, especially at a time where the celebration of diversity lies in jeopardy. As the crackdown on DEI continues across all levels of education, the school’s continued upliftment of this cultural tradition does more than engage audiences, but remind them why they must continue forth.

This year’s competition at LSU saw the Ques and the Deltas take home the crowns. However, what also reigns is a vibrant showcase of community and culture that seeks to live on at the Baton Rouge institution.

RELATED CONTENT: 92 Years Later, Historically Black ‘Divine 9’ Continues to Make Strides

Thelma Golden, elevate your Excellence, Studio Museum in Harlem, art,culture, curator

Elevating Your Excellence: Thelma Golden Is At The Forefront Of Black Art And Culture

A recipient of the prestigious Dorothy and Lillian Gish Prize and listed on TIME100, Golden’s commitment extends to national cultural stewardship.


Thelma Golden stands as one of the preeminent and most decorated figures in global contemporary art, currently serving as the director and chief curator of The Studio Museum in Harlem, the world’s foremost institution dedicated to the visual arts by artists of African descent. 

Her tenure at the Museum—which began as an intern in 1987 and culminated in her appointment as director in 2005—has been characterized by transformative leadership, establishing the Museum’s status as a nexus for education and a cultural anchor.

Golden’s impact on the art world was forged during her pivotal decade at the Whitney Museum of American Art, which she joined in 1988. As an integral member of the curatorial staff, she masterfully organized landmark exhibitions that reshaped the contemporary discourse. 

Most notably, she curated the groundbreaking 1994 exhibition, Black Male: Representations of Masculinity in American Art, an intellectual tour de force that remains a foundational reference for scholarship on race, gender, and identity in art. 

Her curatorial vision was also instrumental in the 1993 Whitney Biennial.

Since her return to The Studio Museum in 2000, Golden has spearheaded its exponential growth and global renown. She has curated numerous influential shows, including the highly acclaimed five-part series, starting with Freestyle (2001), which introduced a new generation of Black artists to international prominence, alongside exhibitions such as Chris Ofili: Afro Muses 1995–2005 and Glenn Ligon: Stranger

Also under Golden’s command, the Museum initiated a monumental building project—its first-ever purpose-built facility—to secure the institution’s future as a global cultural destination while reaffirming its commitment to the Harlem community. The Museum also announced its return, declaring: “The Studio Museum in Harlem reopens on Saturday, November 15!” 

The new 82,000-square-foot building—a testament to Golden’s vision—will host an expanded range of exhibitions, installations, and commissions. As the Museum noted, this new facility “sets the stage for a reimagined Studio Museum that expands the ways art and community come together in celebration of our founding mission: championing the vision and voices of Black artists.” 

The opening will be celebrated with a free, all-ages Community Day from 11:00 a.m. to 9:00 p.m., inviting the public to explore state-of-the-art galleries, the monumental Stoop, education workshops, and the new roof terrace at 144 West 125th Street.

“The Studio Museum in Harlem reopens on Saturday, November 15!⁠ Our new 82,000-square-foot building sets the stage for a reimagined Studio Museum that expands the ways art and community come together in celebration of our founding mission: championing the vision and voices of Black artists.“

⁠The caption continued, “Discover exciting and groundbreaking exhibitions, installations, and commissions in state-of-the-art galleries; join lectures and performances on our monumental Stoop; learn and create in our Education Workshops; enjoy drinks and bites by @settepaniharlem; shop products by Black businesses and designers at @studiostoreharlem; and take in an expansive view of Harlem and beyond on our roof terrace.⁠”

“Join our Community Day on Saturday, November 15, from 11:00 a.m. to 9:00 p.m., and be the first to experience the new Studio Museum. This free, all-ages event invites you to explore the building, engage with our exhibitions and installations, and participate in a full day of live music, dance, and more!⁠ Welcome back to 144 West 125th Street, #WhereBlackArtLives.⁠

 Plan your visit at the link in our bio.”

https://www.instagram.com/p/DM-Z2xrIivv

In alignment with its core mission to serve as a nexus for emerging talent, The Studio Museum is currently accepting applications for the highly prestigious Artist-in-Residence (AIR) program. This historic initiative is reserved for emerging artists of African and Afro-Latinx descent. It provides critical institutional guidance, professional development, and essential resources, including dedicated studio space and a stipend paid throughout the residency. 

Notably, the 2026 residency, scheduled to run from March 15 to Oct. 15, 2026, will be the inaugural residency hosted in the Museum’s new facility, culminating in a final exhibition. Applications were due on Oct. 7.

https://www.instagram.com/p/DPT6UHaE34K/?img_index=1

A recipient of the prestigious Dorothy and Lillian Gish Prize and listed on TIME100, Golden’s commitment extends to national cultural stewardship. 

She was appointed by President Barack Obama to the Committee for the Preservation of the White House and currently serves on the Board of Directors for the Barack Obama Foundation, alongside key roles on the boards of the Los Angeles County Museum of Art and the Andrew W. Mellon Foundation. She is a highly sought-after lecturer and panelist, leveraging her comprehensive education—a B.A. from Smith College and numerous honorary doctorates—to shape the conversation surrounding contemporary art and culture.

RELATED CONTENT: Elevating Your Excellence: Media Maverick Emil Wilbekin Forged A Movement From Vibe To Native Son


ed Gordon,, xcel

Ed Gordon Is The Host With The Most At The XCEL Summit For Men

Ed Gordon, veteran journalist, interviewer, businessman and friend of BLACK ENTERPRISE will host the 2025 "EXCEL Summit for Men."


Few journalists command a room the way Ed Gordon does. For more than three decades, he’s given a platform to stories and voices that might otherwise have gone unheard. In October 2025, the Emmy-winning interviewer will bring that same energy to the mainstage of the BLACK ENTERPRISE XCEL Summit For Men. Gordon will serve as host and master of ceremonies for the three-day event at the Hyatt Regency Grand Cypress, Orlando.

Gordon is no stranger to the BE audience. He was a 2024 XCEL Summit Award honoree and the face of the magazine’s signature interview series, Our World. During this era, his deep, considerate approach to politics, culture, and business was on full display. His roster of career interviews reveals the depth of his knowledge, curiosity, and range, having spoken with notable figures such as Nelson Mandela and Tupac Shakur. Additionally, he talked to President Joe Biden in one of Biden’s final sit-downs before withdrawing from the 2024 presidential race.

 

His 2020 book, Conversations in Black: On Power, Politics, and Leadership, compiled dialogues with more than 40 influential Black leaders, designed to spark change and challenge the status quo. His career accolades include an NAACP Image Award and Journalist of the Year honors from the National Association of Black Journalists (NABJ), in addition to his Emmy.

In 2025, Gordon continues to lead Ed Gordon Media and hosts his nationally syndicated radio show, WEEKend WITH ED Gordon. The versatile talent mixes music with sharp conversation. 

“Through decades of groundbreaking interviews and steadfast advocacy, Ed Gordon continues to amplify voices and shape narratives that matter,” BE noted.

The 2025 XCEL Summit For Men, taking place from Oct. 15 to 17, will feature high-profile fireside chats, leadership workshops, one-on-one coaching, and the XCEL Awards gala. With Gordon steering the conversation, attendees can expect candid dialogue, powerful takeaways, and moments that stick long after the lights go down.

Tickets are available now at the official XCEL Summit For Men website.

RELATED CONTENTMen Who XCEL: Dr. George C. Fraser To Be Honored At The 2025 ‘XCEL Summit For Men’

Sean

Diddy Forks Over ‘Freak-Off’ Tapes To FBI

The 'Ibiza Tapes' were given to the government


After being sentenced to 50 months in federal prison and ordered to turn over videotapes of his “freak-offs”, Sean “Diddy” Combs has complied and handed them over to the FBI as part of his sentencing.

According to AllHipHop, the embattled executive has given the videotapes and digital devices labeled “Ibiza Tapes” as instructed by the court. The tapes were confiscated when law enforcement raided the Los Angeles and Miami homes of Diddy in March 2024. He has been in custody at the Metropolitan Detention Center in Brooklyn since his September 2024 arrest at the Park Hyatt hotel in New York City.

The government has accused Diddy of sex trafficking, operating a criminal enterprise, and transporting to engage in prostitution in a Racketeer Influenced and Corrupt Organizations (RICO) trial. While a jury found him not guilty of the first two charges, he was convicted of two counts of transportation to engage in prostitution. He was sentenced Oct. 3 to 50 months in prison, a $500,000 fine, and five years of supervised release.

The tapes were property “used or intended to be used” in relation to the prostitution charges that prosecutors presented, which led to the Combs’ conviction. The “Ibiza Tapes” are believed to be part of a broader scheme that the government said Diddy recruited male escorts for private sex parties he called “freak-offs.”

The videotapes and other items, which include hard drives, USB sticks, iPads, iPhones, and several laptops, are now in the custody of U.S. Customs and Border Protection.

After asking to serve his sentence at a New Jersey facility that offers drug treatment (which may also reduce his sentence if he completes the program successfully), Judge Arun Subramanian rejected the motion, but has agreed to Diddy serving his sentence “as close as practicable to the New York metropolitan area.” 

Attorneys for Diddy are preparing to appeal the conviction to the Second Circuit Court of Appeals.

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Shaquille O’Neal, shaq, Georgia, Sheriff's Office

Shaq’s Eldest Daughter Joins NBA Legend’s Foundation For $24M Youth Complex Project

Taahirah has been a growing collaborator with her dad on his many ventures.


Taahirah O’Neal, the eldest daughter of NBA legend Shaquille O’Neal, has joined the board of her father’s foundation for a special new project.

With this new position, O’Neal will spearhead the latest development of a new Boys & Girls Club youth facility. Located in Las Vegas, the project will cost $24 million as it hopes to transform the lives of the city’s youth. Now, the youth-focused club will have an O’Neal at every step of the way of its development. The 29-year-old shared to Instagram on how she has joined the family business.

“These past few months, the Board and I have been busy behind the scenes — planning, dreaming, and laying the groundwork for what’s to come,” she captioned the post.

The eldest daughter of five siblings added, “Visiting the future Shaquille O’Neal Youth Development Complex in Las Vegas was one of those surreal, full-circle moments. Standing on the ground where thousands of kids will one day play, learn, and thrive was such a beautiful reminder of why we do this work.”

The Shaquille O’Neal Youth Development Complex will span 30,000 square feet, with resources fit for the NBA Big Man himself. In partnership and support with multiple organizations, including the Boys & Girls Clubs of Southern Nevada, the Las Vegas Raiders, and the UFC , the complex will come with all the perks to help the youth in this area. The latter two supporters helped create the facility’s multi-sports field as well as MMA and boxing center.

However, this Shaq-approved Boys & Girls club comes with holistic resources to support its attendees. Other additions include mental wellness rooms, tech innovation labs, and early learning center, and, rightfully so, a basketball gymnasium. The complex will also boast the Communities In Schools Alumni Center, the first ever established in the United States.

O’Neal brings her own expertise to this new position. According to Medium, the marketing professional graduated magma cum laude from Oglethorpe University in Atlanta, receiving her bachelor’s degree in sociology and a minor in politics and African American studies. She went on to flex her marketing chops in campaigns with Pepsi and her father’s own Big Chicken fast food chain.

Now, she is returning to another family business to change the lives of Las Vegas youth. Emphasizing her father’s dedication to giving back, she now hopes to propel this mission for the next generation.

She added, “I’m so proud to help carry my father’s legacy forward while also building my own path in service.”

The Shaquille O’Neal Youth Development Complex is expected to open in 2026.

RELATED CONTENT: Shaq Gifted Kobe Bryant’s Mother Restored Land Cruiser Her Son Owned In High School

pancreatic cancer,, D'Angelo, Archer, dead, singer

D’Angelo Transitioned But His Spirit Lives On Through His Music 

D’Angelo’s songs stand as a living testament to his aura.


Michael Eugene Archer, better known as D’Angelo, entered this world on Feb. 11, 1974, in Richmond, Virginia. Throughout a career steeped in soul, sensuality, and audacious musicality, he carved an imprint on contemporary R&B and the neo‑soul scene. On Oct. 14, after a battle with pancreatic cancer, D’Angelo succumbed at the age of 51. Though his physical form has transitioned, the essence of his voice and the lingering melodies he crafted still pulse with his spirit. These seven songs (among many others) stand as a living testament to D’Angelo’s aura.

“Brown Sugar” 

“Brown Sugar” is the lead cut from D’Angelo’s 1995 debut. The song is a declaration of his artistic identity. The way the organ commingles with the drum riffs, along with D’Angelo’s svelte, rap‑inflected vocal approach, cemented him as a boundary‑pushing soul artist. Though it’s frequently read as a love song, the lyrics also serve as a metaphor for the love of cannabis, blurring the line between yearning and altered states of mind.

“Lady” 

“Lady,” one of D’Angelo’s most commercially successful singles, peaked at No. 10 on the Billboard Hot 100. The song was released from the Brown Sugar album and was co-produced with Raphael Saadiq. It is packed with smooth instrumentation and an emotive vocal performance. The official video, directed by Hype Williams, helped D’Angelo cross over into a broader R&B audience. A remix featuring rapper AZ amplified its hip-hop alignment.

“Devil’s Pie” 

“Devil’s Pie,” initially released as a single for the Voodoo album, signaled a shift in aggressive sampling, weightier beats, and a decidedly harder edge. Co‑produced with DJ Premier, it bridges his approach with a modern, gritty aesthetic. The lyrics probe the tensions of fame, temptation, materialism, and the spiritual cost that success demands.

“Untitled (How Does It Feel)” 

“Untitled (How Does It Feel)” is a pared‑back ballad D’Angelo co‑wrote with Raphael Saadiq, and it has long been counted among his signature cuts. Though it was initially imagined as a homage to Prince, the song’s timbre and its spare, restrained arrangement echo his influence in several ways. When the 2001 Grammys arrived, the track fetched D’Angelo the Grammy for Best Male R&B Vocal Performance. Its now‑iconic video, renowned for its camera work, morphed the singer into a sex symbol — a label the artist later admitted left him feeling uncomfortable, as if he’d been reduced to that single image.

“Spanish Joint” 

“Spanish Joint” unfurls as a Voodoo‑tinged groove. Its adventurous pulse is stitched together from Afro‑Cuban and Latin threads. The core is held together by Giovanni Hidalgo’s congas, Roy Hargrove’s brass, and Charlie Hunter’s dual role on guitar and bass with Questlove. The piece carries a personal undercurrent. Gina Figueroa, who wrote and sang it, says it sprouted from her liaison with D’Angelo.

“Send It On” 

“Send It On,” the fourth single from Voodoo, was co-written with Luther Archer and Angie Stone in 1998. It’s the earliest song from the album, reportedly composed after the birth of his and Stone’s baby boy. The song features soulful horns and classic soul elements over D’Angelo’s introspective vocal plea. Though it didn’t chart as strongly as “Untitled,” it remains a touchstone of his middle period.

“Really Love” 

“Really Love,” the 2014 lead single from Black Messiah, credited to D’Angelo & the Vanguard, marks a return after a hiatus. It weaves in a sample of Curtis Mayfield’s “We the People Who Are Darker Than Blue.” It features a spoken‑word passage in Spanish performed by Gina Figueroa. The song’s lush string arrangement and gently looping structure convey a vibe that feels like a quiet, triumphant comeback. Nominated for Record of the Year, it went on to win Best R&B Song at the Grammy Awards.

D’Angelo’s catalog may be modest, but every track pulses with purpose, rich feeling, and a restless musical curiosity. He drifts from the allure of romance into quiet pockets of introspection, from unbridled experimental jams to songs that wear political soul on their sleeves. Across those seven pieces, a narrative unfurls: one of transformation, of perseverance, of an enduring spirit that refuses to dim. Whenever listeners return to his recordings, D’Angelo’s life is breathed and we experience that same indomitable spirit.

RELATED CONTENT: Assata Shakur, Political Activist And Black Liberation Army Member, Dies At 78

NYC, high school

All-Boys Catholic School In Philly Offers First HBCU Symposium To Encourage Black Students

St. Joseph's Preparatory School offered its first-ever HBCU symposium for its growing diverse student population.


An all-boys Catholic school in Philadelphia has found a new way to educate its Black students about their college options.

St. Joseph’s Preparatory School has grown its student population. According to the Philadelphia Inquirer, over a quarter of the almost 940 students now come from diverse backgrounds.

With more Black students on campus, St. Joseph’s wants to encourage them about all avenues of higher education. Emphasizing a mission to increase these numbers, the Catholic school hosted its first-ever HBCU symposium on Oct. 11.

“Having a population that is so representative here is at the heart of the ethos of the Jesuit mission,” said John Marinacci, the school’s president. “So it’s not an option for us, and it’s not a fad. This is foundational to our identity.” 

The prep school’s African American and Latino Alumni Association brought the event to fruition. With 14 HBCUs represented by leaders and representatives, students learned firsthand about academic opportunities at these institutions.

There, colleges connected with many potential applicants. It also included presentations by the president of Dillard University and an official with the United Negro College Fund.

Offering insight and guidance into life at an HBCU, the symposium was considered a game-changer for its Black students. While shocked at the initiative from the Jesuit institution, students reacted warmly to the endeavor to introduce them to these Black colleges.

“I was surprised. I didn’t think we would ever be having something like this,” said Vaughan Cross, a senior at St. Joseph’s and a child of HBCU graduates. “They have embraced Black culture, but not to that full extent. I feel like they finally are trying to make that schoolwide. It makes me feel good. It makes me feel included.”

College readiness is essential to any prep school, but St. Joseph’s goes the extra mile for its own cohort. The school also offers
“Affinity grants” to children of HBCU employees and graduates.

With principles such as remaining “open to growth” and “committed to doing justice,” the school hopes this financial support will bring more students from Philly’s diverse areas to join their community. Thus far, the initiatives have yielded excellent results, bestowing 25 grants last year.

“We are on an amazing trajectory,” said Nailah Givens, the Prep’s director of diversity, equity, and inclusion. “It helps that every class has been growing in students of color. When you’re looking around in your classrooms, you’re not the only one.”

The HBCU symposium is yet another stride toward ensuring that not only St. Joseph’s students but also the surrounding communities of color can explore their academic ambitions.

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Stefon Diggs, bonus, catch

Reignited Partnership: Stefon Diggs And ASICS Kick Off Second Exclusive Footwear Line

The limited-edition GEL-DS TRAINER™ 14 was released October. 14


New England Patriots wide receiver Stefon Diggs and ASICS have just released their latest collaboration, the limited-edition GEL-DS TRAINER™ 14.

The wide receiver posted a video of a seemingly young Stefon playing in ASICS as a child, lacing up his sneakers en route to the field to play football. While the other kids are on the field, young Stefon is seen making moves that will take him to the NFL. As the video clip proceeds, a young mother pulls up to pick up the young boy, who is now wearing a pair of ASICS and being verbally disciplined about getting his “play shoes” dirty.

The clip ends when the mother and son are in the house, and Diggs pulls up to deliver what is most likely a pair of ASICS.

“‘These are your play shoes’.. A reminder from my mom that stuck with me forever .. I’m so excited to bring that story to life and share it with the world… Oct 11 ❗️”

Diggs handled the concept and creative direction, as the shoe was released on Oct. 11.

“This project is bigger than a shoe… It’s my story,” Diggs said in a written statement to Complex. “My mom has always been the voice in my head keeping me grounded, and you see that in the details, right down to her handwriting on the tongue: ‘These are your play shoes.’ ASICS trusted me to lead the creative, and we built something that feels like home—clean, sharp, and full of little nods to my childhood. Seeing the design and the campaign come to life is a thank-you to her and to everyone who helped shape me. I’m grateful to ASICS for believing in my vision and building this with me.”

The ASICS GEL-DS TRAINER™ 14 is available on the brand’s website.

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breastfeeding

Tap Into This Resource Guide For Breast Cancer Survivors

There’s an urgent need for resources that are tailored, well‑funded and culturally competent for Black women.


In 2025, the breast cancer mortality rate for Black women remains 40% higher than that of white women, underscoring an urgent need for resources that are tailored, well‑funded, and culturally competent.

Eight institutions are deeply rooted in the Black community: two Black‑led organizations that provide grants to women navigating breast cancer; three research institutes focused on advancing science for women; and three groups that prioritize therapy and mental‑health support for Black survivors and their caregivers.

BLACK ENTERPRISE highlights each institution’s purpose, how it operates, and why it matters, so readers from coast to coast can tap into the support many Black women rightly deserve.

Financial Assistance for Black Breast Cancer Survivors

Sisters Network® Inc. – Karen E. Jackson Breast Cancer Assistance Program 

Sisters Network® Inc.’s Karen E. Jackson Breast Cancer Assistance Program (BCAP) provides financial aid up to $350 for housing and utility expenses to Black breast cancer survivors actively undergoing treatment. It also offers access to 3D mammograms for uninsured women through partnerships with leading mammography screening facilities.

https://www.instagram.com/p/DKP9o1pSnpq/?igsh=ZGNhanI0cGx6cjZ1

Keep A Breast Foundation – Give Back Grant

The Keep A Breast Foundation’s Give Back Grant is for women of color diagnosed with breast cancer by offering a boost up to $500 to help offset costs throughout treatment and beyond. Acknowledging the hurdles this community faces within the healthcare system, the grant operates nationwide. The foundation places an emphasis on supporting BIPOC communities.

https://www.instagram.com/p/DPPGZkUERQU/?igsh=Mzdvc2tnZDhkNzRj

Research Initiatives Focused On Black Breast Cancer Survivors

Women’s Circle of Health Follow-Up Study

The Women’s Circle of Health Follow‑Up Study is an ongoing investigation in New Jersey that scrutinizes how obesity and its associated comorbidities affect breast‑cancer survival and the everyday quality of life of women. By homing in on the obstacles Black breast‑cancer survivors confront, the project aims to tackle health disparities.

Dr. Lucile Adams-Campbell, Epidemiological Research

Dr. Lucile Adams‑Campbell, an epidemiologist, heads a research agenda that probes how lifestyle tweaks might blunt disease risk breast cancer, among African‑American women. The project’s purpose is to sculpt community‑focused strategies that could temper cancer risk via habit changes within the Black community. She pursues this work out of the National Institutes of Health (NIH).

Dr. Bonnie (Bo) Qin, Breast Cancer Survivorship Research

Dr. Bonnie Qin is a researcher in Breast Cancer Survivorship Research at the Rutgers Cancer Institute in New Jersey. The research explores the impact of lifestyle patterns, social determinants of health, and inflammatory mechanisms on breast cancer survivorship among Black women. The research aims to identify factors influencing long-term health outcomes and develop targeted interventions for Black breast cancer survivors.

Mental Health Resources for Black Breast Cancer Survivors

TOUCH, The Black Breast Cancer Alliance—“Pink Table Talk”/Support & Awareness + Mental Health Resources

TOUCH, a Black‑led advocacy organization runs a recurring series called “Pink Table Talk” that delves into mental health issues, survivorship challenges, and emotional resilience. They also maintain a “BlessTie Resources” hub packed with mental health links. The talks, which take place weekly or monthly, reach Black women nationwide via virtual channels such as social media feeds. In these forums, TOUCH creates an attuned space where survivors can share their stories and begin to heal and connect with mental health referrals. They also unveiled Black TNBC Sanctuary, a resource hub delivering mental health support and integrative care services specifically designed for patients with breast cancer.

https://www.instagram.com/p/DPUDf97kx_p/?igsh=MWEzMzI5dmszaDVneA==

African American Breast Cancer Alliance—Online Support Group (SMIS: Sisters & Misters In Survival

The African American Breast Cancer Alliance (AABCA) offers support to patients and survivors through its web‑based circle SMIS (Sisters & Misters In Survival). Inside SMIS folks can speak candidly with peers, tap into outreach and join support circles. Sessions swing between Zoom calls and where geography permits, in‑person gatherings. AABCA’s nationwide web of chapters keeps the in‑person meet‑ups humming. Emotional and psychosocial support provide a lifeline when confronting a cancer diagnosis and peer groups step in to break down isolation, swap coping playbooks, and point members toward mental health professionals.

https://www.instagram.com/p/DPWiottjweC/?igsh=NW9kamt3eGttYWp2

Carrie’s TOUCH (mental health + peer support app/counseling referrals for Black survivors)

This nonprofit humanizes the breast cancer experience of Black women and men. It offers mental health resources, support group matching, low-cost therapy referrals, survivor stories, and a mobile app for emotional wellness services. Founded nearly 20 years ago, Carrie’s TOUCH is active nationally through its app, online, and via local partnerships. It bridges the gap between mental health platforms for Black breast cancer survivors by curating resources, matching users to culturally competent therapists, and fostering community.

RELATED CONTENT: 8 Apps That Can Help Navigate Breast Cancer Care

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