Homebuyers, Ghosting Sellers: 10 Cities Where It's Happening Most

Philly’s Will Power Program Helps Black Low-Income Homeowners With Will Preparation

The program has, to date, assisted some 1,000 residents of the City of Brotherly Love to create wills.


Since 2022, Philadelphia’s Will Power Program has connected residents like 72-year-old Vendetta Stephens to the city’s Community Legal Services (CLS) through local community partners, like Stephens’ church, which initially put her on the path to connect with the program which provided her and other low-income Philadelphians with free estate planning services.

According to WHYY, the program has, to date, assisted some 1,000 residents of the City of Brotherly Love to create wills and other end-of-life documents. The experience, according to Stephens, has transformed the way she formerly conceived of the idea of a will.

“I used to say ‘Wills are for rich people. What am I going to leave?’ But actually, I left something to all of them — just from that one house,” Stephens noted. “If I leave everybody something, and it’s in writing, there’s no dispute about anything.”

At an Oct. 15 event celebrating the program, held inside North Philadelphia’s Zion Baptist Church, Debby Freedman, the executive director of CLS indicated that the program’s success is a “gigantic accomplishment.”

Freeman continued, “Wills help to stabilize neighborhoods and families, build and maintain intergenerational wealth, and in many cases help to close the racial wealth gap in our city.”

Indeed, as CNBC reported in 2022, more than 70% of Black Americans are without a will, which, according to Brickson Diamond, the co-founder of the non-profit Black House Foundation, which aims to create new opportunities for Black Americans in the film industry, means that Black folks are thus locked out of one of the most effective ways to transfer wealth in America.

“So many families lose their family access and ownership of land,” he noted. “So if you haven’t prepared to pay the taxes and get the mortgage covered … the home will at best fall into disrepair and at worst fall out of the hands of the family.”

That scenario is exactly what Philadelphia’s program was crafted to remedy, and as WHYY reports, over the lifetime of the city’s program, it has tended to serve older Black residents who make less than $60,000; the median income in Philly.

Furthermore, a problem specific to Philadelphia is the issue of what is called a tangled title, which basically means that it is legally unclear that a relative of a deceased person who lives in the deceased relative’s former residence is the owner of the property, because their name is not on the deed.

Otherwise known as Heirs Property, particularly in the South, with a tangled title, there is often no legally established tie to the home for a descendant of a deceased person. Thus, this can lead to a protracted and expensive process of clearing up the title or claims of ownership, with the result of also opening up a property to the risk of deterioration, foreclosure, and deed theft that can lead to the loss of a family’s generational wealth.

In June, the Center for Heirs Property, a national organization dedicated to providing solutions-oriented support to heirs’ property owners, refreshed its website in conjunction with the launch of a new initiative, the East Texas Heirs’ Property Initiative, which it noted in a press release was an “ambitious expansion bringing the organization’s vital services to more families across the South.”

According to the press release, since the center’s founding in 2005, it has provided 5,842 clients with free legal advice and counsel, cleared 412 titles with a combined tax-assessed value of $30.1 million, provided education and technical assistance to more than 650 families who collectively own and manage 40,000 acres of land, and secured $11 million to the center’s support partners in Alabama, Arkansas, Kentucky, Mississippi, and West Virginia.

RELATED CONTENT: Call To Action: Black Americans Must Consider Estate Planning As A Means To Generational Wealth

Ice Cube’s ‘Truth To Power’ Tour Is A One-Man Performance Packed With History 

Ice Cube’s ‘Truth To Power’ Tour Is A One-Man Performance Packed With History 

“Four Decades of Attitude” is on full display


Ice Cube brought his “Truth To Power” tour to Atlanta on Oct. 14. “Four Decades of Attitude” was on full display at the city’s State Farm Arena, which was buzzing with diehard, day one fans of the west coast emcee. 

This one-man show did not disappoint and gave far more than today’s typical concerts. For starters, the set was a mashup of stages, an upper level stage outfitted with a pair of low riders and a lower level stage that introduced modern technology, in the form of amalgamated reality (AR), to Cube’s nostalgic offering. 

Cube integrated the stage backdrop as an overhead projector and digital photo album to aid in the visual storytelling of his life story. The NWA expat paired performance with songs and tales that were laced with a historical narrative, that led the audience from his pre-Ice Cube era — before he ever picked up a mic — when he was just young O’Shea Jackson. After sharing pictures from his childhood, Cube paid homage to his older sister Beverly, who died at the hands of her husband, who happened to be a cop. In that moment, it is crystallized that Ice Cube’s ire toward law enforcement is not solely based on profiling and state sanctioned violence against Black and brown communities — but also personal. Cube told fans that Beverly’s death had a profound impact on him at 12 years old. The loss of innocence has certainly contributed to his writing, becoming a rapper and a nigga with an attitude (NWA). Sharing that insight was the perfect segue into the first song of the night: “F**k Tha Police.” 

Cube took the crowd down memory lane with “Dopeman,” and then to his encounter and camaraderie with Eric “Eazy E” Wright. The friendship morphed into the iconic rap group NWA, which would go on to be one of the most influential rap groups in hip-hop, making gangsta rap a commercial commodity. The Los Angeles rapper welcomed Lil Eazy, Easy E’s son, on stage to perform the monumental song “Boyz in the Hood.” 

Cube went back and forth between commentary and performance. He got into his NWA bag with “Straight Outta Compton,” and transitioned into story and song around his departure from the group; recording AmeriKKKa’s Most Wanted in NYC; Da Lench Mob; John Singleton, and his critically-acclaimed album Death Certificate. He gave shoutouts to Friday movie alums Chris Tucker and Faizon Love, who were part of the audience. His fans were “Steady Mobbin” and mouthing lyrics to “Check Yo Self.” 

The “No Vaseline” artist pulled no punches while expressing his thoughts on tensions in hip-hop: Ice Cube said the “East Coast-West Coast beef didn’t start with Tupac and Biggie,” before reminding concertgoers of the 1991 squabble between him and Tim Dog, which actually predates the latter coastal rivalry.

It is hard to visit Cube’s musical past without all three members of Westside Connection, but it is refreshing to see WC crip-dancing alongside the homie to “Bow Down” and other hits, and it is as refreshing to witness Warren G perform “Regulators” once again. The icing on the cake, though, would have been a cameo from Yo-Yo and Das EFX. These absences, in particular, feel like missed opportunities. The concert crescendo, though, kinda makes up for this and is epic indeed. The rapper, producer, filmmaker, and icon, concluded the show with “It Was A Good Day,” Ice Cube’s highest-charting single to date, as a Goodyear blimp floated the arena; its ticker read: “Ice Cube’s A Pimp.”

Design

The rollout, pacing, and timing of Cube’s delivery is on point from kickoff to close. The themes around resistance, reclamation, reunification and Black joy are aligned with hip-hop history, weaving through four decades of hip-hop experience. The “Truth To Power: Four Decades of Attitude” tour commits to memory and music and Ice Cube’s heft as a hip-hop legend and pioneer. Ice Cube really is a pimp. 

RELATED CONTENT: Ice Cube Returns To ‘OG’ Rap Roots On New Album, ‘Man Down’

Mielle Organics, HBCU tour

Mielle Organics Is Pulling Up To An HBCU Near You

The MiCurl Out Homecoming Tour, will visit four HBCUs in total.


On Oct. 17, Mielle Organics kicked off the second stop of its “MiCurl Out Homecoming Tour” at Florida A&M University.

The MiCurl Out Homecoming Tour will visit four historically Black colleges and universities (HBCUs) in total. At the heart of the initiative is the brand’s objective to alleviate some of the hair-care challenges students encounter when living in areas with limited access to specialty products. Omar Goff, president of Mielle Organics and an alumnus of FAMU’s School of Business and Industry, emphasized that the tour revolves around equity and authenticity.

“Our goal is to not only show up at the campus but also invest,” Goff said.

He also noted that HBCUs often miss out on brand dollars that support their programs and that the tour aims to correct that.

“HBCUs are such a pivotal part of culture, and as brand leaders it’s important for us to stay connected to culture but also to pay respect to culture,” Goff said to FAMU online.

Mielle Organics has maintained longstanding partnerships with HBCU athletics, including FAMU Cheer and Howard University’s swim team, which Goff said reflects the company’s broad commitment to serving “underserved and underrepresented” communities.

Crystal Moulton, a fourth-year public-relations student at FAMU, told FAMU online that the activation encouraged her to sample the brand’s products.

“My conversation with the people who were running the activation pushed me to start supporting Mielle and giving more of their products a try,” she said.

“We talk about the importance of not gate-keeping,” he said, referencing the brand’s efforts to remain relatable and true to its origins while adapting to a new youth culture.

With the FAMU stop now completed, the MiCurl Out tour will move on to additional HBCU campuses. Organizers say events will continue to include product education, beauty-care workshops, and community-driven experiences.

RELATED CONTENT: FAMU Announcer Issues Apology After Offensive Remarks Toward ASU Dance Team Sting On Social Media  

Atlantic City Mayor Marty Small Sr., Acquitted , Daughter Abuse Claims

‘9-1-1’ Actor Rockmond Dunbar Loses Lawsuit Against Disney Over COVID Vaccine Firing

The verdict came after a four-day jury trial.


Actor Rockmond Dunbar, best known for portraying Kenny Chadway in Showtime’s series adaptation of the classic film Soul Food, has lost his federal lawsuit against Disney-owned 20th Century Television. Filed in response to Disney’s COVID-19 vaccine mandate for employees on its productions — including the Angela Bassett-led hit series 9-1-1 — Dunbar’s suit claimed the requirement violated his religious beliefs. A federal judge ruled against him on Oct. 17.

However, as Variety reported, Dunbar did not receive support from the Congregation of Universal Wisdom once they discovered that Dunbar’s argument had little to do with their beliefs, which eschew vaccines and other medical advancements. His argument, to them, appeared to only be against the COVID-19 vaccine in particular, which the group described as “sacrilegious” in court documents procured by the outlet.

Dunbar argued in court that, “Man created the COVID-19 vaccine to separate you from God. This is a spiritual war. This is a war of evil against good. I stood on the side of good. I stood on the side of God. I stood on the shoulders of God.”

Dunbar maintained during his testimony that although he takes synthetic testosterone injections and anastrozole, this simply makes him far from “perfect,” and not the hypocrite that the church appears to have cast him as.

Dunbar continued, noting that his work on the show was his “dream job. It was like winning the lottery. I’m underwater. I’ve spent my entire retirement. This has taken my life into a hole financially that I will never be able to get out of.”

He maintained to the jury that he is not an anti-vaxxer, despite his regurgitation of conspiracy theories that the COVID-19 vaccine has killed more people than the actual virus; he believes his ordeal is a spiritual test from God.

“Take my cars, my money — I don’t care. You have to leave here with your soul intact,” he told the court. “This is my spiritual test and I passed.”

In contrast to Dunbar’s claims, The Economist estimated in a 2022 report that because of the way death totals regarding the pandemic were calculated, any death tolls are likely a conservative figure; still, they noted that in North America alone, which includes the United States, more than 1.2 million people are estimated to have died from COVID-19.

For Dunbar’s scientific assertion to be correct, there would have to be a significantly higher death toll. As of May 2025, USA Facts estimates that 230,637,348 Americans, or 70% of the population, are considered fully vaccinated against the COVID-19 virus.

Dunbar, however, still appears to be firmly entrenched in his religious beliefs, which even his lawyer, Scott Street, referred to as “kooky” while defending his client. Outside the courtroom, Dunbar was unwavering, noting to reporters his belief that “God still won today.”

RELATED CONTENT: New COVID-19 Strain Causing ‘Razor Blade Throat’ Spreading In U.S.

T.I., Tiny, defamation lawsuit

T.I. And Tiny Dodge Defamation Lawsuit

Court dismisses Sabrina Peterson's defamation lawsuit due to her failure to adhere to the legal process.


Rapper T.I. and his wife, Tiny Harris, have gained a legal victory as a judge declined to reinstate the defamation lawsuit brought by influencer Sabrina Peterson.

After years of legal proceedings, Clifford Harris and Tameka Harris are free from the legal battle. Peterson filed her complaint in March 2021, claiming that T.I. held a gun to her head during an altercation. She adds that after the incident, both T.I. and Tiny then defamed her through social media posts and private communications. 

While the initial suit was broad, over the course of the legal dispute, Peterson’s case narrowed to two claims, defamation and invasion of privacy. In March 2025, a judge ruled her case should be dismissed due to her failure to prosecute the action diligently. 

Legal filings reveal the court found that Peterson missed deadlines and failed to appear at hearings. Additionally, Peterson did not comply with court orders for discovery and $96,000 in attorneys’ fees owed to T.I. and Tiny. The court deemed the procedural failures sufficient to toss the case, leaving the merit of the allegations untested. 

Peterson’s attorney, Kieta T. Middleton, says she plans to appeal the ruling as she should not be held accountable for the ineptitude of prior counsel.

“The court incorrectly applied the law and there has been an extreme miscarriage of justice, not just today but throughout the entire life of the claim – mostly due to ineffectiveness of Ms. Peterson’s prior attorneys, whose actions, or lack thereof, have just been endorsed by the court,” Middleton told Rolling Stone “It’s unfortunate for me to have to clean up a mess not caused by myself or Ms. Peterson, but we shall see if the appellate panel agrees with today’s decision.”

For T.I. and Tiny, the dismissal means the pair can move forward with other ventures and victories. In March 2025, the couple finalized another major lawsuit on behalf of their teen group, the OMG Girlz. T.I. and Tiny sued the maker of O.M.G. Dolls, claiming the company used the group’s likeness without permission. They were awarded $53.6 million in punitive damages and $17.9 million in actual damages.

The initial monetary judgment was questioned by the presiding judge. In March 2025, the $71.5 million award against MGA Entertainment was affirmed. 

RELATED CONTENT: T.I. And Tiny Harris Win $71 Million In OMG Girlz Lawsuit Against MGA Entertainment

Martin Luther King, deepfakes, openAI

OpenAI Blocks Martin Luther King Jr. Deepfakes Following Family’s Complaint

MLK's daughter Bernice King urged people on social media to stop using OpenAI’s Sora 2 tool to create inappropriate videos of her father.


As previously reported by BLACK ENTERPRISE, Bernice King — daughter of the late civil rights leader Rev. Dr. Martin Luther King Jr. — joined Zelda Williams, daughter of the late comedian Robin Williams, in urging people on social media to stop using OpenAI’s Sora 2 tool to create inappropriate videos of their fathers, emphasizing that neither would have consented to such use if they were alive.

As CNN reported, following their protests and extended conversations with Bernice King on behalf of King, Inc., and John Hope Bryant and the AI Ethics Council, on Oct. 16, OpenAI announced in a statement that it would allow estates of public figures or other authorized figures to request the removal of likenesses from its database.

“While there are strong free speech interests in depicting historical figures, OpenAI believes public figures and their families should ultimately have control over how their likeness is used. Authorized representatives or estate owners can request that their likeness not be used in Sora cameos,” the company wrote.

What the company glosses over in its statement is any real discussion of ethics. However, it does note that it had extended dialogue with the AI Ethics Council, the company’s decision to essentially launch Sora 2 without making any real attempts to put up guardrails regarding the deceased goes hand in hand with how the tech industry in general approaches the infrastructure of artificial intelligence.

This includes, among other things, the hoovering up of water and other finite environmental resources, training its datasets on the intellectual property of others without their consent, and building data centers which are in part subsidized by increased utility bills for people who did not consent to footing the bill for the increased drain on power grids created by these structures.

According to The Week UK, in addition to these concerns, misinformation experts caution that Sora’s realistic content presents a problem for media manipulation on a scale hitherto unseen. Indeed, as Lance Ulanoff noted in an op-ed for Tech Radar, this public debacle regarding the likenesses of deceased public figures represents the latest instance of the company’s propensity to ask for forgiveness, not permission.

“The comments (from Altman) echo what he told (TED CEO Chris) Anderson in (an) April (interview) and follow Altman and OpenAI’s well-worn pattern of rolling out new features, seeing how quickly and badly things break, and then mopping up,” Ulanoff wrote.

Vice, meanwhile, noted in their analysis that although the videos generated by the app have a noticeable watermark, there remain concerns that among a populace that has a well-documented history with media literacy, including, for example, continually misattributing a 21st Century quote to James Baldwin, who died in 1987, misinformation will likely spread, regardless of their attempts to control it.

While it is good that OpenAI has, for now, put the brakes on the more unethical aspects of Sora 2, it is unlikely that a technology whose very business model is built on inequality and seems to operate outside of the bounds of digital ethics cannot magically be made to comply with an ethical framework, even if Sora 2’s users can now no longer continue to disrespect the legacy of Dr. King.

RELATED CONTENT: NAACP Challenges Elon Musk’s xAI Facility In Memphis Over Health Risks To Black Residents

Lil Wayne, Lawsuit, Rob Sweeney, 20 million,

Lil Wayne Gets To Keep More Than ‘A Milli’ As Years-Long Lawsuit Ends

The court's ruling ends a dispute that once threatened to cost Carter up to $20 million. 


Lil Wayne, born D’Wayne Micheal Carter Jr., has emerged victorious in a years-long court battle against his former lawyer, Ron Sweeney.

A judge ruled that a contested 10% fee agreement is unenforceable. The ruling ends a dispute that once threatened to cost Carter up to $20 million. 

On Oct. 13, Judge James D’Auguste ruled that the verbal contingency fee agreement is void.

In his decision, Judge D’Auguste noted, “counterclaim plaintiffs may not, under [the law], receive a contingency fee, as contemplated by the voided oral contingency fee arrangement or otherwise.” 

The ruling also barred Sweeney from investigating Carter’s post-termination finances. However, Sweeney may still pursue what the judge described as “reasonable fees” for prior legal services. 

Wayne’s attorney, Jonathan Davis, applauded the decision in a statement to Billboard.

“After an almost seven-year battle in multiple courts in New York and California, lawyers can rest a little easier in knowing that the rule of law still matters and will be applied faithfully by courts,” Davis said.

The litigation, spanning seven years across New York and California courts, centered on Wayne’s claim that his 2018 termination of Sweeney made the attorney’s contingency fee deal invalid. Carter’s team described the 10% rate as “exorbitant.” Additionally, he claimed the fee was more than “double the customary rate for attorneys in the music industry,” Billboard reported.

Sweeney countersued, seeking millions in unpaid fees tied to post-termination deals. The countersuit included a settlement with Cash Money Records and rights sales involving Universal Music Group. 

With the legal cloud now cleared, Lil Wayne can focus on his musical ventures and business interests without the distraction of pending multimillion-dollar liability.

The rapper is free to bask in his success as he is being honored for his contributions to the music industry for over 20 years. In November 2024, the A Milli rapper was inducted into the inaugural class of the newly established NOLA Walk of Fame. The former Hot Boy received a custom fleur-de-lis plaque on Canal Street in recognition of his outsized cultural impact and his New Orleans roots. 

New Orleans Mayor LaToya Cantrell presented the honor in tandem with Wayne being awarded the key to the city and the declaration of “Lil Wayne Day” during his own LilWeezyAna Fest earlier that month.

RELATED CONTENT: Lil Wayne Allegedly Kicked Girlfriend and Her Daughter Out Of His House—On Mother’s Day

Indianapolis, police, protest, ICE

Protesters Rally Again, Calling For ‘No Kings’ In America

The protests follow a June edition that drew an estimated 4-6 million participants. 


Millions of Americans across all 50 states are expected to take to the streets on Oct. 18 for the “No Kings” protests. There are even global protests against Trump planned as well.

The No Kings protest is a movement that organizers describe as opposition to the authoritarian tendencies in the second Trump administration. This will be the third wave of protests under the movement’s banner this year.

Approximately 2,600 rallies will be held in U.S. cities and towns, with additional solidarity actions overseas. The protests follow a June edition that drew an estimated 4 million to 6 million participants.

The coalition is made up of more than 200 organizations, such as American Civil Liberties Union, Indivisible and the American Federation of Teachers, all stressing nonviolence and citizen action.

Organizers say the marches are meant to send a clear message: the nation will not accept a return to monarchical or unchecked presidential power. The slogan is “No Thrones, No Crowns, No Kings.” 

Protesters cite grievances, including increased deployment of federal forces in domestic law-enforcement roles in major cities such as D.C. and Chicago. Participants are also disgruntled at the increasingly stringent immigration policies and the extended government shutdown.

Terence McCormally will protest in D.C. due to his concerns about the National Guard deployments, government corruption, and hypocrisy. 

“I really don’t like the crooks and conmen and religious zealots who are trying to use the country” for personal gain, McCormally told the AP, “While they are killing and hurting millions of people with bombs.”

Speakers at major events will include senators like Chuck Schumer and Bernie Sanders, and cultural figures such as Robert De Niro. De Niro recently sent encouragement to those who have dissented against the Trump administration in recent video remarks. The Heat star urged Americans to “stand up and be counted” against perceived authoritarian trends.

Meanwhile, Republican leaders are spewing negative rhetoric regarding the non-violent protest. 

House Speaker Mike Johnson characterized the protests as “hate America rallies,” saying they shred national unity and boost the government shutdown. 

Texas Gov. Greg Abbott has said the state will deploy the National Guard in anticipation of protest-related incidents.

Protesters and organizers, however, say they are prepared. They report conducting de-escalation training, distributing safety guidance, and coordinating with local authorities to keep gatherings peaceful.

PBS is airing a special broadcast to highlight protests across the U.S.. Watch live here.

RELATED CONTENT: No Kings, No Crowns: Coast-To-Coast Anti-Trump Protests Planned Over Militarized Parade

Hakeem, Jefferies, Trump, Obamas

Hakeem Jeffries Goes Scorched Earth On Karoline Leavitt

Jeffries slammed Leavitt after she claimed the Democratic Party's main constituency was composed of 'Hamas terrorists, illegal aliens, and violent criminals.'


House Minority Leader Hakeem Jeffries (D-NY) had nothing but time and all the smoke for Donald Trump’s White House Press Secretary Karoline Leavitt, on Oct. 17, only one day after she made an explosive and unfounded claim that the Democratic Party’s main constituency was composed of “Hamas terrorists, illegal aliens, and violent criminals.”

As he addressed reporters amid the government’s 17-day shutdown, he also shut down her ridiculous argument, positing that she’s likely some combination of demented, ignorant, and a stone-cold liar in his remarks.

“I’m not sure whether she’s just demented, ignorant, a stone-cold liar, or all of the above,” Jeffries stated. “But the notion that an official White House spokesperson would say that the Democratic Party consists of terrorists, violent criminals, and undocumented immigrants. This makes no sense that this is what the American people are getting from the Trump administration in the middle of a shutdown.”

According to The New Republic, Leavitt’s remarks created a firestorm among Democrats, as Sen. Chris Murphy (D-CT), Rep. Greg Cesar (D-TX), and Kamala Harris’ running mate, Gov. Tim Walz (D-MN), all lobbed their own criticisms of both Leavitt’s comments and the White House in general.

On X, formerly known as Twitter, Murphy noted in a reply to a video of Leavitt’s statement, which appears to be a criticism of New York City’s Democratic nominee for mayor, the Democratic Socialist-leaning Zohran Mamdani, that “This is grossly dark. These are broken people. But it’s also so politically dumb. How do they think Americans will react to being told that anyone who doesn’t support Trump is a terrorist?”

Gov. Walz, meanwhile, appealed to the better angels of both the Democratic and the Republican parties, noting that “Most Republicans are good people. Most Democrats are good people. The White House says outrageous things to make you hate your neighbor. Your neighbor isn’t the problem. The White House is.”

Rep. Cesar, like Rep. Jeffries, was more pointed in his commentary, which, like Sen. Murphy’s response, was attached to a clip of Leavitt’s remarks.

“Karoline Leavitt should resign. They try to make us hate each other to distract from the fact that they’re robbing us all blind. It’s sick,” Rep. Cesar wrote.

However, unlike Gov. Walz, Dan Pfeiffer, a former communications director for President Barack Obama who also co-hosts the “Pod Save America” podcast, noted in a post to his X account that the absence of Republicans criticizing Leavitt’s remarks indicates a tacit approval.

“This s— is so f—ing dangerous and everyone on the Republican side just nods along,” Pfeiffer stated.

Trump administration officials and their sycophants, including Leavitt, have routinely cast political opposition as violent rebellion, but according to the Center for Progressive Reform, many of the actions of the Trump administration echo, if not outright rhyme, with previous attempts to disenfranchise and plunder Black Americans across American history.

RELATED CONTENT: Plies Questions ‘Who’s The Real DEI Hire’ While Comparing Credentials Of Trump’s And Biden’s White House Press Secretaries

Demond Wilson, ‘Sanford And Son’

Keturah Ariel Bobo, Renowned Illustrator Of ‘I Am Enough,’ Dies At 45

Bobo’s work on 'I Am Enough' broke through as both a commercial blending bold imagery and affirming messages for girls of color.


Artist and illustrator Keturah Ariel Nailah Bobo has died at the age of 45 following a long-time undisclosed illness, her family announced

The Ohio-native’s work on a New York Times bestselling children’s book, “I Am Enough,” written by Grace Byers, broke through as both a commercial and cultural success. She blended bold imagery and affirming messages aimed at young children, especially girls of color.

In an Instagram post, Bobo’s family notified fans and followers of the tragic news. Honoring Bobo’s “deeply private soul” the family did not elaborate on the conditions surrounding her death. However, Bobo’s loved ones encouraged others to celebrate her life through art. 

“We ask that you honor her memory in the ways she loved most — through art, music, color, and human connection. Keturah was a brilliant artist, a devoted friend, and a radiant source of joy and inspiration. Though her time with us was far too short, her creativity, laughter, and light live on — in her art and in the hearts of everyone who knew her,” the post read.

In the years following the release of “I Am Enough,” Bobo was considered a go-to illustrator for projects seeking a multicultural lens. She regularly appeared at book festivals and events where she spoke about creating art that supports self-esteem in young readers.

Over her career, she illustrated a total of 10 books for young readers, including: “The Night Is Yours,” written by Abdul-Razak Zachariah, “A Is For All The Things You Are,” written by Anne Ferguson Hinely, and Grace Byer’s “I Believe I Can.”  

Bobo’s approach to illustration was praised for its warmth, diversity, and emotional depth. The mother and artist’s work typically conveyed empowerment, affirmation, and representation, especially for Black children who seldom saw themselves in mainstream picture books. 

She spoke about her goals in a 2024 interview with online publication Matter.: “I want to make sure my son sees characters that represent who he is or who he could potentially be,” Bobo said. “And you don’t realize how important that idea is unless you don’t have it.”

Bobo’s legacy leaves a mark on children’s publishing, particularly in efforts to increase visual diversity. While her time was too short, she made an enduring impact. No arrangement details have been released at the time of publication.

RELATED CONTENT: These Black Authors Wrote Books About Their Breast Cancer Experience

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