Leaders of the New School

Hip-hop has come a long way from its New York City to become a cultural powerhouse that influences politics, fashion, sports, popular culture, language, and more. Its global appeal is what prompted three friends to foster a cross-cultural community targeting disadvantaged youth worldwide. The Hip Hop Loves Foundation (www.hiphoploves.com) offers programming centered on themes such as career success, social justice, and empowerment through workshops on break dancing, DJing, emceeing, and even boxing.

“When I was 12 years old, I went to Nice, in the South of France, and attended a Depeche Mode concert. Although some of the French kids didn’t understand English, they just really vibed with the music,” remembers Rene John-Sandy II, co-founder and president of the nearly 2-year-old nonprofit. “That’s when I realized how universal music is.”

The program primarily serves underserved communities both here and abroad. “We look at hip-hop as

the cultural intersection of many vibrant forms of expression, including dance, sports, visual arts, and technology,” adds the 39-year-old, who operates a consulting, brand management, and marketing firm and has toured with acts such as Common, Talib Kweli, De La Soul, Kanye West, and Dave Chappelle. For John-Sandy, finding others with the same passion wasn’t difficult.

Paris-born musician, producer, and composer Sebastian “Siba” Bardin-Greenberg has collaborated with artists such as saxophonist Maceo Parker, and rappers Everlast of House of Pain and Daddy-O of Stetsasonic. The HHLF co-founder’s first trip to Rio de Janeiro was a high school graduation present from his mother, who lived in Rio for eight years, but he has returned several times. After a trip in

2008, Bardin-Greenberg got the idea for a music festival that would honor his late mother’s work as well as educate Rio’s native residents. The 39-year-old proposed it to several friends and colleagues, including John-Sandy.

With an initial investment of $5,000 from each founder (a third co-founder, 34-year-old Bahiyah Yasmeen Robinson, recently left the organization to launch her own marketing company)–culled from personal savings, friends, and family–HHLF hosted its first event with Fight For Peace, a local community organization that uses boxing and martial arts to reach troubled youth, in Rio de Janiero’s Mare favela in December 2009.

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The HHLF model is to partner with an existing nonprofit, community organization, or university. An introduction from one of the foundation’s advisory board members led to a partnership with New York City community-based nonprofit Harlem Children’s Zone.

HHLF hosts monthly programs at more than 20 sites within its network for about 30 students in the Harlem Children’s Zone program. Through the partnership, called HHLoves H.C.Z., students learn a brief history of a topic then participate in a related activity followed by a Q & A session. Workshops in other cities are held weekly for eight to 12 weeks depending on the topic, which is developed and tailored to the preferences and interests of the youth.

Local and international artists that have worked with the program include Sadat X of Brand Nubian; Punchline, best known for appearances on MTV’s Lyricist Lounge; and Dres of Black Sheep. “There are a lot of people in hip-hop, and in general, that want to give back but just lack an outlet,” he adds. “We want to be that outlet, to be that bridge.”

 

The fledgling organization has faced its share of challenges–mainly people power. “We are a small organization so we don’t always have enough personnel on a regular basis,” explains New York City native John-Sandy. “Also, you have to fully understand the cultures that you are working with. Things may not move as quickly as you want them to go.”

Despite the setbacks, HHLF has plans to continue their international work. HHLF is working on a CD titled Hip Hop Loves Compilation Vol. 1 “Hip Hop 4 Haiti.” Proceeds from the album go to HHLF for workshops in Haiti and The Global Syndicate, a humanitarian organization. John-Sandy is proud of the Hip Hop Loves Foundation’s reach thus far: “The impact we’ve already experienced, especially being an organization only in existence for a couple of years, is definitely a triumph.”